#a text post will have to do. for now at least

[ellieputellas]

can you write roommate!alexia smut

caught in the act | a. putellas x reader

— You catch your roommate Alexia touching herself to your photos.

tags: roommate!Alexia, barçaB!reader, smut, masturbation, mentions of fingering, mention of age gap, a bit of degradation and dirty talk, not proofread 🔞 wc: 2k+

Alexia hated having you as a roommate.

It wasn't because of the fact that you had a bad habit of putting off washing the dishes until the next morning; she learned to deal with it and wash them for you whenever it did bother her. It also wasn't because you were always watching Netflix past midnight, at full volume while she tried to get enough sleep for early morning training the next day, fully knowing the walls between your rooms were paper thin. She's learned to fall asleep to the sound of Brooklyn 99 or whatever American TV show you were addicted to at the time. It wasn’t even the fact that she’d have to set her alarm at least 30 minutes ahead of the usual time she’d wake up just so she could force you out of bed so you could both attend your respective training sessions on time.

Instead, she hated how oblivious and clueless you were to how she felt about you.

Just now, there you were in the living room watching a dumb show on Netflix as you simultaneously swiped on Bumble. She hated seeing you looking at other girls, or even getting all dolled up for dates with other girls.

She knew your type. You liked tall, fellow athletes with great style. She wondered why you never noticed her when she fit your type so well. She rolled her eyes at the sight of you fiddling with the dating app and just wanted to return to her room but you already noticed her presence.

"Hey, Alexia." You said calmly. “Come over here.”

She sighed. "Yeah?"

"What do you think about her?" You said as you chewed on the chips you were loudly snacking on. (That was another thing Alexia let you get away with — snacking everywhere and anywhere leading to a mild ant problem.)

Alexia sat beside you on the couch and leaned in to look at your phone. It was someone from Levante’s B team. Alexia frowned. She had to admit. This girl was undeniably hot with her tattoos and fit body but she knew she looked just as good as this player. If not that, she sure as hell was a better player. That should have been some merit to her.

"She’s okay..." It was all she could say to you. She didn’t want to come off as the jealous roommate.

"Really? I kinda think she's smoking hot." You said with a confused look. “She’s the hottest player I’ve played against on the pitch.”

Alexia rolled her eyes and wanted to make a snide comment but let it slide.

“She asked me out after we switched shirts after our match, and I smelled her shirt and it smelled good as fuck.” You shared, making Alexia roll her eyes again. “Plus, she’s taller than I am and you know how that’s my type… but our texts have been stale and boring as fuck.”

Alexia shrugged and tried to focus on the show you were shamelessly ignoring already. “Then just don’t go out with her.”

You sighed. “Yeah… but there is this rookie footballer I matched with on Bumble, she plays for…” You continued to tell Alexia about the other girls you were talking to but she just didn’t give a fuck.

She didn’t wanna know anything about the other girls you were seeing while she’s been into you for so long.

"Anyway, can you help me pick photos from my weekend trip with Emma? She's so great at taking photos that I feel like I have to make two separate posts on instagram just to include all of my hot photos." You said before giving your phone to Alexia. "Just swipe through them and heart all the photos you like."

As soon as she grabbed your phone, she felt her body heat up. The first photo of you was you in front of the pool with your arms up, laughing gleefully. You were wearing the tiniest bikini with a bra top just big enough to cover your nipples and that incredibly skimpy underwear.

All Alexia could think about was pushing them to the side and fucking you hard with her fingers.

Alexia blinked. "You're so...." She couldn't find the words. "Naked?"

You laughed at the older woman’s reaction. "That's all you could say?"

Alexia ignored you, completely fixated by the photos of you. Alexia liked the first photo and proceeded to swipe. The second photo was you with your back turned, exposing your ass. Alexia could feel her mouth salivate as the dirtiest thoughts entered her mind. She kept scrolling, admiring every curve and crevice of your body. She loved the way your boobs spilled over your bra and the way your thong rode up your ass and accentuated your perfect hips. She loved your collarbones but she loved the thought of marking them with her mouth more.

She was practically liking every photo, unable to think objectively of what works on Instagram or whatever. She loved seeing you this exposed.

"You never dress like this usually." Alexia commented, still going back and forth with your photos. She was pretending to be analytical with your photos but her mind was just filled with obscenities.

You huffed. “You only see me in a kit or here at home when I dress like a slob. You don’t know what I dress like.”

Alexia furrowed her eyebrows. “I’ve seen you get dressed up for dates. You’re not usually so…” She shook her head. “Whatever. I never would have imagined you’d like wearing something so tiny.”

Alexia had to swallow as her mouth had been watering at the sight of your photos. You chuckled, oblivious to your roommate's reaction. "Well, you would know that I actually do love tiny swimwear if only you went swimming with us more.”

Alexia took a mental note to say yes to every opportunity to see you in a skimpy bikini. "Still, you never post stuff like this. You only ever post game photos or food photos. This is just out of character for you.” She added on. "You must be posting to impress someone, huh?"

You furrowed your eyebrows and rolled your eyes at her. "I feel like I’m just more grown now. Like, grown enough to post more skin.” You explained. “Besides, can’t I post for myself?”

Wish you would post for me, Alexia thought.

You looked over at Alexia who was still looking through your photos. "God, what's taking you so long? Mesmerized by my tits?"

"You're so cocky." It was all Alexia could say as she blushed. She felt like it was so wrong to be thirsting over her younger roommate like this but she couldn’t help it. You were exactly what she wanted.

You chuckled. "I told you. Emma took really good photos of me! I know I look hot in those."

You looked through the photos Alexia liked and realized the only photos of you she didn't like were the ones where you were covered up. You stifled a chuckle. "Okay, I guess I should post these immediately since it would be so selfish of me to deprive the world of these photos any longer."

"So arrogant." Alexia scoffed under her breath but unbeknownst to you, it turned her on. She loved it when you got all confident. It made her want to praise you and degrade you at the same time. "I'm going back to my room to review some things for some brand deal. Text me if you wanna order food or cook for dinner later."

You absentmindedly nodded as you typed up the perfect Instagram caption and chose the perfect thirst-trap song to go with the Instagram post.

Alexia headed back in her room and immediately pulled out her iPad, refreshing her Instagram feed incessantly. "C'mon, c'mon..." She muttered under her breath. "Just post already."

Finally, your post popped up.

Alexia felt like she couldn't breathe as she was finally able to get a better look at them through the bigger screen. She was finally free to zoom in to your perfectly shaped tits without worrying you'd see. She bit her lip.

It was almost a built-in instinct or bodily response to her the way she immediately positioned herself in front of her iPad; she wasted no time. She propped the device on her bed, blasted a song loud enough to mask her noise, swiftly took off her bottoms, and eventually, guided her hands to feel her own slick with her fingers. She was soaked already just from seeing you.

"Fuck," She muttered as she began rubbing herself, looking at the photo of you on her device. She wished she could have a gigantic TV screen just so she could see more of you at a bigger scale. She wanted to be overwhelmed by the sight of you — to be consumed by your beauty.

She rubbed her clit in circles as she kept her eyes glued on the screen. She cursed again. She thought about your tits. She wondered how they'd feel in her hands. She wanted to feel the softness against her rough and imposing hands; she wanted to know if that kind of touch would make you whimper. She wondered what colors your nipples were and how they'd look and feel... and taste. She so badly wanted to push her tongue against them.

Her legs shivered as she imagined taking your breast in her mouth, sucking on it mercilessly as you moaned under her.

In reality, Alexia was alone in the darkness of her room — her tanned skin illuminated by the sole source of light from her device that blasted music to mask her grunts and the obscene sounds of her wetness.

But in her imagination, Alexia was in your room on top of you, sucking on your breasts as she positioned her knee against your core. In her imagination, you loved to beg and whine. So there you were, underneath her, squirming as she sucked on your nipple and used her hands to play with the other one. She just could tell you were the sensitive type and the idea of you almost teary-eyed due to sheer pleasure caused by her made her even wetter.

She opened her eyes once again to catch a glimpse of you in that one photo where you had a serious face as you slightly bent over. She groaned as she caught sight once again of the flesh of your boobs pressing against the fabric of your bikini. "Fucking whore." It escaped her mouth in a grunt.

In her imagination, you were dressed in the same skimpy bikini. She had your bra cups pushed to the side to grant her easy access to lick all over your boobs, leaving the occasional mark whenever she desired.

"Please, Alexia." She could practically hear your voice say it. "Fuck me now."

Alexia plunged her fingers into her cunt, causing her to grunt loudly as she pumped in and out of herself as mercilessly as she would have with you.

She was fixated on the thought of her fingers thrusting so hard in and out of you that your tits jiggled with every thrust. Alexia somehow felt you were the type to moan loudly, grab your own tits, and beg to fuck her deeper.

"Alexia! Fuck me!"

"You want me so bad, huh? You fucking slut?" She groaned under her breath, almost breathless and winded from how rough she was fucking herself. "I'll fuck you so hard, you'd go stupid."

"Alexia, harder! Please!" The imaginary voice in her brain told her. It felt so realistic

"Yeah?" She called out your name, almost in the form of an animalistic grunt. "You fucking want it harder? You a fucking slut for me?"

She increased the speed of her thrusting, causing her to moan loudly in succession. "Fuck," She said, followed by calling out your name. "Tell me who you belong to."

She pumped in and out of herself, causing her to convulse in the building pressure inside her. Her eyes were shut close but the photo of you in your bikini was permanently burned inside her mind.

"I belong to you!" Her imagination called out.

"Say my name then." She groaned.

"Alexia," It sounded so soft and gentle.

"Louder." She growled as she imagined that it was your pussy she was roughly thrusting into. Her legs shook uncontrollably as she felt herself approaching orgasm. “Say it.”

"Alexia?!" It was practically an exclamation. It felt so real that your voice echoed in her ears.

As Alexia opened her eyes, she was met by the sight of you standing at the door of her room with a shocked face. Almost immediately after, Alexia moaned out loud as her orgasm arrived.

It took half a second for her to realize that she wasn't imagining it anymore. You were there, standing and watching her fuck herself while her obnoxiously larged iPad displayed a photo of you.

"Oh shit." She was in trouble.

a/n: not proofread. part 2 anyone? (also thank u for ur requests!)

[txrully]

WATASHI NO AIDORU SAMA!

summary: IN WHICH BLLK BOYS DATE AN IDOL!

characters: isagi yoichi, bachira meguru, itoshi rin, nagi seishiro, mikage reo, chigiri hyoma, hiori yo, shidou ryusei, itoshi sae, michael kaiser, alexis ness.

warning: fem! reader implied

isagi yoichi

isagi is in awe of you. your determination, charm, and the way you captivate an audience—he’s lowkey your #1 fan. he’s also the boyfriend who overthinks everything. is he doing enough? are you eating properly? is his goodnight text too basic? but when you’re overwhelmed by the pressures of being an idol, he’s the one who brings you back down to earth with his soft smiles and reassuring words.

when he attends your concerts, he tries to keep a low profile, but the way he beams when you glance at him gives him away every time.

"yoichi, they caught you smiling like a lovesick puppy in the crowd."

"but you looked so cool up there! how could I not?!"

"next time, at least wear sunglasses."

"then how will you see me cheering for you?"

bachira meguru

bachira lives for the drama of dating you. the glitz and glam? he loves it. sneaking into your dressing room mid-rehearsal? absolutely. he thrives on making you laugh, especially when the idol world feels too suffocating. he even suggests the most ridiculous disguises when you want to go out, like matching frog hats or dressing up as old people.

he’s also not shy about flaunting your relationship, sending chaotic selfies to your fan club and saying, “aren’t we cute?” yeah, he’s banned from your socials now.

"bachira, stop posting pictures of us!"

"what? they love me. look, 10k likes already!"

"i will revoke your access to my phone."

"awwww :("

itoshi rin

rin doesn’t care about fame, but oh boy, he cares about you. the media knows him as the stoic, no-nonsense soccer prodigy, but behind closed doors, he’s your biggest supporter. he secretly streams your performances and even sets your songs as his alarm (though he’ll deny it if you ever find out). when you’re busy with schedules, rin shows his love in quiet ways—making sure you eat, sending random texts like, “don’t overwork yourself. i mean it.”

but paparazzi catching him sneaking into your concerts? yeah, that’s not part of his plan.

"you know they saw you, right?"

"tch. who cares?"

"rin, they’re calling you my biggest fanboy on twitter."

"...well, they’re not wrong."

nagi seishiro

nagi finds your idol schedule exhausting just hearing about it. but he loves you, so he makes the effort. he’s the type to show up to your rehearsals half-asleep, holding your favorite snacks. when you’re performing, though, he’s laser-focused, recording every moment because “you look cool up there.”

he also doesn’t get jealous often, but when a fanboy gets too enthusiastic, he’ll casually sling an arm around your shoulder and deadpan, “she’s taken.”

"sei, were you napping backstage?"

"mm. comfy couch."

"you’re unbelievable."

"but i got your favorite chips."

"...okay, forgiven."

mikage reo

reo is the ultimate boyfriend-slash-manager. need help with your contract? done. overwhelmed with schedules? he’s already booked a spa day for you. he’s your rock in the chaotic idol world, always reminding you that it’s okay to take a break.

he also spoils you shamelessly—designer dresses for red carpets, private dinners after concerts, and the fanciest bouquets delivered to your dressing room.

"reo, you didn’t have to buy out the whole bakery just because i said i liked their croissants."

"but you deserve the best."

"...i’m keeping the chocolate ones."

"all yours, my love."

chigiri hyoma

chigiri gets it. as someone constantly in the spotlight himself, he knows how draining it can be. he’s always there to hype you up, whether it’s helping you perfect a dance move or rehearsing lines for interviews. when you feel insecure, he’s the first to remind you of how talented and beautiful you are.

his favorite moments are when it’s just the two of you—no cameras, no fans, just quiet walks or lazy afternoons.

"hyo, do you think i’m doing okay?"

"you’re doing amazing. and even if the whole world doesn’t see it, i do."

"you’re too sweet."

"only for you."

hiori yo

hiori loves your passion for performing, but he worries about how much it takes out of you. he’s the type to leave little notes in your bag—"you’ve got this!" or "don’t forget to eat!"—and surprise you with coffee during long rehearsals.

he doesn’t love the spotlight, but for you? he’ll put up with it, even if it means sitting front-row at your concerts surrounded by screaming fans.

"yo, are you okay? you looked uncomfortable out there."

"yeah, i’m fine. just not used to being around so many people."

"next time, i’ll get you noise-canceling headphones."

"i’ll wear them if they have your voice recorded on loop."

shidou ryusei

shidou lives for the chaos of your idol life. paparazzi? fans? scandals? bring it on. he thrives on being the center of attention, especially when it involves you. he’s the boyfriend who gets caught sneaking onto stage mid-performance just to blow you a kiss.

he’s also fiercely protective, ready to throw hands with anyone who disrespects you. but when it’s just the two of you, he’s surprisingly soft, reminding you why you fell for him in the first place.

"ryu, you can’t just interrupt my concerts!"

"what? they loved it. besides, i missed you."

"you saw me five minutes ago!"

"five minutes too long."

itoshi sae

sae isn’t the best at expressing his feelings, but his actions speak volumes. he doesn’t show up to your events often, but when he does, it’s with flowers in hand and a rare smile just for you. he admires your dedication but worries you’re pushing yourself too hard.

he’s also your harshest yet most supportive critic, always giving honest feedback because he wants you to be your best.

"sae, was my performance okay?"

"it was good. but you can do better."

"...you could’ve just said you’re proud of me."

"i am. but you already knew that."

michael kaiser

kaiser adores the spotlight, and dating you? it only adds to his charm. he loves flaunting your relationship, whether it’s through matching outfits or casually mentioning you in interviews. he’s cocky, but his support is unwavering, always hyping you up like your personal cheerleader.

he’s also lowkey competitive, challenging you to see who can trend on social media first after a big event. spoiler: you always win.

"kaiser, stop refreshing twitter."

"i need to know if we’re trending."

"you’re ridiculous."

"ridiculously in love with you."

alexis ness

ness is the sweetest, most wholesome boyfriend. he’s constantly in awe of your talent and works hard to make you feel appreciated, from writing you letters to learning your favorite songs on the piano. he’s also your biggest fan, always gushing about you to anyone who’ll listen.

he gets flustered when fans recognize him as “your boyfriend” but secretly loves it.

"ness, are you blushing?"

"n-no! i just—your fans are so nice."

"you’re adorable."

"not as adorable as you."

© txrully :: 2024

do not copy, translate or plagiarize my works.

[strnilolover]

NNN - chris sturniolo - long distances

You and Chris had been together for a little over a year, content with one another and the company each of you had to bring.

Before hand — you were good friends, best friends to be exact. Not with just him, but with his brothers too, and it was nice to know nothing really changed after putting a label on the two of you.

Chris and his brothers were already in their filming career when you had gotten together — making videos and posting them twice a week for their fan base that was already growing so large within a short amount of time.

Though, one day, while cuddled up with chris on your couch at your home — he broke the news to you.

He was moving to LA with Matt and Nick. Having already made enough money to afford a nice little place there. It was shocking to hear, and at first you were upset — upset with the fact you couldn’t see him everyday and you wouldn’t be around him when you needed him or wanted him.

But, the upset had been replaced with excitement over time. Thinking of all the possibilities for Chris and how amazing it was that he was able to do this with his brothers. And of all the stories you would be able to hear about his new life in a busy and bustling city.

When the day had finally come for him to move — it was spent with tears and hugs and promises to one another that everything would be okay.

And for the most part it was, you called every night — texted each other too many times through out the day and stayed connected. But, at some point things started to change. Chris grew more busy with work and with his clothing line he was starting, and the absence made you feel empty. Like he wasn’t even really there.

There were less calls, more messages being left on read or delivered — but Chris at least would tell you when he was busy and couldn’t talk, which you appreciated.

Eventually, everything began to weigh down on you. And you needed to tell him — needed to let him know how you were feeling. That you were having doubts.

-

Your room was quiet except for the faint hum of your laptop. Chris’ face filled the screen, his familiar features bathed in the soft light of his LA room. He looked tired, his curls messier than usual and his celtics hoodie hanging loosely on his frame. You tried to ignore the hollow ache in your chest as you smiled at him.

“How was your day?” you asked, forcing a casual tone as your eyes looked around your screen, taking in the view you’ve seen hundreds of times already.

Chris shrugged, leaning back against his chair. “Same as usual. Filmed with Nick and Matt, ran some errands. We tried this new sushi place for dinner. It was good, but, uh… not as good as Boston sushi.”

You let out a soft laugh, even though it stung a little. “Boston sushi is definitely better. How’s the apartment coming along?” you asked — a question that would slip here and there.

Chris shrugged slightly. “Fine, I guess. Still trying to figure out where to put everything. Matt thinks we need more stuff on the walls, but Nick keeps saying we don’t. It’s a whole thing.” He gave a faint smile, his voice lacking its usual warmth. “What about you? How was work?”

“Busy,” you said simply, picking at the edge of your blanket. “Came home, made dinner… I made too much again. I keep forgetting I’m just cooking for one now.” you admitted. Being so used to his presence all the time, you often made dinner for two people — it was still a hard adjustment.

Chris’ smile faltered, guilt flashing in his eyes. “I’m sorry,” he said softly.

You shook your head quickly, brushing it off. “It’s not your fault. I just need to get used to it still — even if it’s been a little.”

The conversation then faded into silence, and for a moment, all you could hear was the faint rustle of Chris adjusting his laptop. He looked away, his jaw tense, and you felt the words building in your chest — words you’d been too scared to say for weeks right on the tip of your tongue.

It was now or never.

“Chris,” you began hesitantly, your voice barely above a whisper. “Can we… uhm - can we talk about us?” the words slipping past your lips felt like a burn on your own tongue.

His gaze snapped back to you, his expression guarded. “What about us?”

You hesitated, the lump in your throat making it hard to speak. “I just… I feel like things have been different lately. At first, we were doing so well — texting all the time, FaceTiming every night. But now… I don’t know. It feels like we’re drifting apart.”

Chris’s brows furrowed at your words, his shoulders visibly tensing. “I’ve noticed it too,” he admitted after a pause. “I just didn’t know how to bring it up. I didn’t want to make things worse.”

You blinked, surprised by his honesty. “You didn’t think I’d feel the same?”

“I don’t know,” he said, running a hand through his curls. “I didn’t want to say anything and make you think I was doubting us or something. And I’m not. I love you. But this…” He gestured vaguely, his hand moving between him and the screen. “This is hard. Harder than I thought it’d be.”

The crack in his voice made your heart ache, but you nodded, tears stinging the corner of your eyes. “It is hard. I miss you so much, Chris. Some nights, it’s all I can think about — how empty this place feels without you here. And then I start wondering… what if we can’t do this? What if it’s too much?”

Chris’s eyes widened slightly, his panic evident. “Wait, are you saying you want to—”

“No!” you interrupted quickly, shaking your head. “No — Chris, that’s not what I mean. I just… I don’t know how to fix this. And I hate feeling like we’re not as close as we used to be.”

Chris let out a slow breath, his shoulders slumping. “I feel the same way,” he said quietly. “I hate that I can’t just drive over and see you when you’ve had a bad day. I hate that I can’t be there to hold you. And honestly… sometimes, I feel like I’m letting you down.”

“You’re not,” you said firmly, leaning closer to the screen. “Chris, you’re doing the best you can. We both are. But we need to be honest with each other if we’re going to make this work.”

He nodded slowly, his jaw tightening as he processed your words. “You’re right. I’ve been holding back because I didn’t want to make things worse, but… I guess that’s only made things harder. I’ve missed you so much, and it’s been killing me not to tell you how much I’ve been struggling with this.”

Tears now spilled down your cheeks, and you wiped them away quickly with your sleeve. “I’ve been struggling too. And I was scared to tell you because… what if it made you think I didn’t believe in us anymore? I do, Chris. I love you so much. I just… I didn’t know how to deal with all of this on my own.”

His expression softened, and he leaned closer to the camera, his voice gentle. “You don’t have to deal with it alone, okay? We’re in this together. And if that means being brutally honest about how much this sucks sometimes, then that’s what we’ll do.”

You laughed softly through your tears, nodding. “Deal. And… maybe we can try to plan our visits better. I need to see you, Chris. I think that’ll help a lot.” you whispered, feeling yourself ease up a little at the thought of him here — with you.

His lips quirked into a small smile. “Funny you should say that… I’ve been looking at flights to Boston. I was going to surprise you, but… maybe we need this sooner rather than later. I’ll come next month. No excuses.”

“Really?” you asked, your heart swelling with hope.

“Really,” he said, his smile growing. “I need to hold you again. And I’ll do whatever it takes to make this work.”

A weight lifted from your chest, and you smiled for what felt like the first time in weeks. “I’ll hold you to that,” you teased, your voice lighter.

Chris chuckled, the sound warming your heart. “I love you. And no matter how hard this gets, I’m not giving up on us. Ever.”

“I love you too,” you said softly. “And I promise… I’ll do everything I can to make this work too.”

It wasn’t a perfect solution, but it was a start. The rest of the night felt lighter — the ache in your chest still present but less. You both were more cheerful — joking around about random things and teasing him about how his hair was too messy — along with his room.

You smiled at your screen, watching as Chris did the same. His hand coming up to his lips and blowing you a kiss through the screen — and you blushed.

You’re just hoping that whatever was said tonight…was going to stick.

© strnilolover

[notlongtolove]

time present and time past

spencer tried to explain einstein’s theory of relativity once. and now, with spencer beside you in bed, you think you finally understand what he was on about. because time is relative. and if he doesn’t wake up, this moment will never end, and maybe you can slow down time itself.

pairing: spencer reid x fem!reader (second person, no y/n)

genre: angst

content: situationship core. they argue. avoidant!-ish.

word count: 3.4k

note: i have a final in 3 days and thought now would be the perfect time to write and post my first fic. yay! anyways this is inspired by an old literature text i studied, einstein's theory of relativity and what not. a line: I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

time present and time past are both perhaps present in time future, and time future contained in time past. if all time is eternally present all time is unredeemable. - t.s. eliot

You've never been one for physics, the numbers, the theories, the science of it all. But that’s never stopped Spencer from launching into explanations like a rocket whenever the chance presents itself. You would nod along, a smile on your face though whatever he's saying might as well be in a foreign language. 

He tried to explain Einstein’s theory of relativity once. Something about clocks, something about a kind of gravitational field. 

"Think of it like I’m on the jet," he started, and if you try hard enough you can imagine him on the other end of the line gesturing with his hands in that animated way of his. "Now imagine if I run down the aisle—”

“Hotch would kill you,” you interrupted, biting back a grin as you tried to picture the sight. 

“Just imagine it,” Spencer laughed.

“Okay, okay.”

“So, if you time me and I make it down the aisle in five seconds—”

“Highly unlikely, but sure.”

“Angel,” he warned, but there was no real bite in it. He waited for your giggles to subside before pressing on, “It takes me five seconds to get from one end of the plane to the other. Right?”

“If you say so...”

Spencer sighed, but soldiered on. “But for you, timing me, you’d also have to factor in the distance the jet travelled in those five seconds.”

“Ah.”

“You don’t get it.”

“No, I do. I do.”

“Okay, so explain it.”

You paused, your lips twitching with suppressed laughter. “Uh… You can run faster than a jet?”

Spencer groaned, but he was laughing too. “Time moves slower for those in the jet!” he said profoundly as though he was the one who had discovered the theory of relativity itself. “It’s fascinating really.”

“Ohhh” you sound, trying your best to feign understanding. 

“You know what,” he said between laughs, “I’ll explain it when I’m back, I know you’re a visual learner.”

But he never did. And so you never understood it, not really. At least, you thought you didn’t—until now.

Not until he’s lying in your bed again, your sheets tangled around him like they’ve claimed him as their own.

Einstein says that time is relative. He says that the rate at which time passes depends on an observer's frame of reference. 

The observer in this case—You. 

And if one observer moves at the speed of light, time will slow down for them. 

Spencer’s asleep beside you. His face is soft in the flickers of streetlight creeping through the blinds. They give you just enough visibility to watch the rise and fall of his chest and you wonder if he's dreaming. The sound of his breathing, steady, is the only thing keeping you tethered.

If you squint hard enough, there’s almost something domestic about the scene. You ignore the fact that this is the nth time you’ve done this because ignoring is easier. It’s easier to think about how he smells like his shampoo, and how his shirt is thrown haphazardly over your nightstand. A sight you missed more than you would admit. You think about reaching for it, but your hand stays where it is. You stay where you are—just watching, observing. Because Einstein said the rate at which time passes depends on the observer’s frame of reference. And if you stay still enough, maybe you can slow down time itself. 

You like moments like these. The simplicity of it. You tell your friends the same thing when they ask, their voices thick with judgment, their eyes too knowing. “We don’t do anything” you insist to the room of raised eyebrows. “We’re just hanging out, you know, as friends” you say, as if saying it enough times will make it true.

“Just hanging out?” “Yup.” 

“As friends?” “Yup.”

You know you’ve hit a new low when you have to pull the ‘hanging out’ card, but you take a sort of comfort in that fact. Because at least he’s not like those other guys, right? That’s your silver lining. That it’s not like that. He’s not like that. But in the quiet after, when his breathing is the only sound and you feel walls closing in you, you can't help but wonder which is worse: the thing that he is, or the thing you’re letting yourself become.

You reached out first this time. A small victory in the game you’ve been playing against yourself. There’s some semblance of control in it, you rationalize. If you’re bound to fall, tethered to this fate of always crawling back, at least let it be on your terms.

I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

Come over. Made too much pasta. You texted. It’s an olive branch, a peace offering after a fight that had left you both frayed at the edges. A throw of the same old ball back to his side of the court where the game has dragged on far too long. Proof to him that you didn’t mean what you’d said, that you’re not done yet. That you’re still okay with this.

You can take it. 

The fight had been about work—or at least, that’s how it started. He’d mentioned a new trainee in passing, his voice light, almost too casual, as he spooned rice out of the takeout box. “She’s new,” he said, with a shrug. “Eager, maybe too eager. Emily says she’s a bit of a people pleaser.”

She. You watched him carefully, trying to read between the lines. 

“Oh?” you replied, keeping your voice as even as you could manage. Muscle memory. You’ve been here before. Just because Spencer wasn't one of those guys didn't mean you haven't had your fair share of them. 

You smile as you meet his eyes asking all the right questions. Where’s she from? How’s she doing?

He glanced up at you, surprised by your interest. Light work you thought. “Somewhere out West, I think. She’s doing fine—rookie mistakes, you know. She had a bad day last week, though. Got rattled on a case. Garcia said Hotch was too hard on her.”

“Poor thing,” you murmured, “Hope she’s feeling better.”

“Garcia thought I… thought she was pretty,” he added laughing, the words tumbling out like an afterthought. Like the words don’t hold the weight that he knows it does. 

Ah. There it is.

“Well, did you?” you asked, trying to keep your voice steady, casual.

“She’s… alright,” he said, his tone too high, too quick. You didn’t miss the way he swallowed hard afterward.

“You’re avoiding the question,” you teased lightly, smiling even though your stomach was beginning to twist itself into knots.

“I’m not,” he countered, shoving another bite of food into his mouth. “You asked if she’s pretty, and I said she’s alright.”

“You’re totally avoiding it,” you said, laughing to keep the air light even as the knot pulled tighter. “Spence, you can just say it.”

“Say what?” he asked, eyes darting up to meet yours, then back to his plate.

“Just say it.”

“I don’t know what you want from me.”

“Admit that she’s pretty.”

“Okay.” He exhaled sharply, like the word had been dragged out of him. “I think she’s pretty.”

Oh.

There was something in the way he said that made your chest constrict. 

I think she’s pretty.

He thinks she’s pretty. Not like it was some objective fact, not something calculated or reasoned. Not that she was statistically pretty, backed up by some symmetry or math behind it. He just… thought so—No, he thinks so. Thinks. Present tense. Meaning as he’s sitting here, across from you, eating the takeout you suspected he’d purposefully ordered too much of, he thinks she’s pretty.

You stared down at your plate, your appetite long gone. The silence stretched between you, heavy and uncomfortable. You could hear the faint hum of the refrigerator, the distant murmur of voices from the apartment next door.

“You’re quiet,” he said finally, his voice softer now, hesitant.

“I’m fine,” you replied too quickly, a smile pasted on your face as you looked up. “Just thinking.”

“About?”

You shook your head, forcing a smile. “Nothing. Pass the soy sauce?” He passed it without another word, but you could feel his eyes lingering on you. 

“Why are you looking at me like that?” you finally said, your voice sharper than you intended.

“I’m not,” Spencer replied, his tone defensive, though his eyes stayed trained on you. “You’re just… quiet. It’s not like you.”

You laughed, a hollow sound. “Yeah, well, maybe I’ve run out of things to say.”

“Is this because I said she’s pretty?” he asked after a beat, his voice cautious, careful. “Because I didn’t want—”

“Spencer stop,” you interrupted, setting your fork down with a deliberate clink against your plate.

“I wasn’t going to say it. You asked me to say it.” he countered. “And the term pretty is subjective anyway, I think you’re pretty too.” You stayed silent, not meeting his eyes. “Don’t be like that. You know I care about you.”

“It sure doesn’t feel like it,” you shot back, your voice trembling despite your best efforts to steady it. You knew you were being petty. Acting like a child who didn’t get their way, grasping at anything to make the hurt feel justified. But you couldn’t help it.

“You just—you talk about work, about—god, about pretty girls and I—”, You stopped, swallowing hard, trying to tamp down the words you weren’t ready to say. “I feel like I’m just… here. Someone you call when you’re bored or when you’ve ordered too much food or when—”

“That’s not true,” he argued, his tone sharp now, defensive. “You’re twisting it—”

“Am I?” you snapped, your eyes finally meeting his. They were wide, startled, but it didn’t stop you. “Because I’m starting to think this is exactly what it is.”

“Well, what do you think this is?” he asked, his jaw tightening as his hands gripped the edge of the table.

“I don’t know,” you said bitterly. “Why don’t you tell me?”

“We’ve talked about this,” Spencer said, his voice low and deliberate, each word cutting deeper than the last. “You said you wanted to be friends. Friends do this. Friends have dinner. Friends don’t force someone to admit someone else is pretty and then make it all—I don't know, all weird after.”

You winced, his phrasing like a mirror reflecting every misstep, every conversation where you’d backed yourself into this corner. He’s not wrong—you had said you wanted to be friends. But he didn’t know the weight behind that concession.

You’d thought back to those late-night conversations. The ones where he’d laid out his reasons like a clinical diagnosis: I don’t have the time. It wouldn’t be fair to you. I’m not ready. So, you’d waited, convincing yourself that 'not now' meant 'not yet'. But eventually, you’d called it yourself, told him you should just be friends. A sad attempt at controlling a situation you were only ever destined to be hurt by. Because your own destruction should only ever be yours to wield—and you have to claim it before it can claim you.

He’d agreed it was better this way and you’d nodded along. Not because you believed it, but because it was a way to keep him in your life. A lifeline you clung to no matter how much it cut into your hands. But labels don’t erase what’s already happened. They don’t undo the stolen glances, the kisses in the quiet moments, the nights where you felt like the only two people in the world. They just build a fragile scaffold over it all, a flimsy way of holding up what’s already crumbling. Dating. On a break. Dating again. Friends. They pile on top of one another like a pathetic plaster over the hurt of what you wished things could be. 

“Right,” you said finally, the word brittle and sharp as it escapes your lips. Your voice was hollow as your eyes met his, daring him to flinch. “So I guess that means I can’t expect anything from you, right? No decency, no consideration, no… nothing. Because we’re not in a relationship. We’ve never been in a relationship. Right?”

“Don’t,” Spencer said quietly, almost pleading now. “That’s not fair. Don’t turn this into something it’s not.”

“You’ve made it perfectly clear what this is,” you said, standing from the table, your hands trembling as you gathered your things. 

“Wait,” he said, standing too, “You don’t have to—”

“And by the way, Spence,” you cut him off, reaching into your bag and slamming the extra key he’d given you months ago onto the table. It clattered louder than you expected, echoing in the tense silence between you. “You can have this back. Because last I checked, friends don’t have keys to each other’s apartments.” You were acutely aware of the venom dripping in your voice but you pressed on, the words spilling out before you could stop them. “And thanks for the flowers, but I don’t think friends go out of their way to buy a bouquet to make up for every friendly dinner they miss.” You didn’t wait for a response. You didn’t look at his face, didn’t want to see whatever expression he was wearing. 

But the satisfaction of that slam felt distant now. You think back fondly of the girl who had made her point so clear, so definitive. A line drawn in the sand. But winds blow and sand moves. That girl seems like a lifetime away from the girl you are now—the one lying here, beside him, again.

Spencer stirs beside you, a quiet sigh escaping his lips, and your breath hitches. You don’t want him to wake up. Because if—when he does, you know he’ll leave. But until then, in this moment of temporary serenity, you can pretend it doesn’t matter. You can pretend it’s okay. You can pretend you’re okay. 

After all, Einstein said that time is relative. If he doesn’t wake up, the moment will never end, and maybe—just maybe—you can slow down time itself. You stare at the ceiling, letting the minutes tick past, each one stretching longer than the last.

Your thoughts drift back to what Spencer had said. Time moves slower for those in the jet.

Well, if your apartment is the sky, then this bed is the jet. In the quiet of this moment, his warmth beside you, the faint smell of him lingering on the pillow—this is where time bends. The rate at which time passes depends on the observer’s frame of reference. Maybe you can trick the universe, make these seconds stretch into hours. Maybe, if you stay still enough, think hard enough, the world outside won’t come knocking. You can freeze this bubble of peace.

But the illusion is tenuous, and reality looms like turbulence on the horizon. Time doesn’t truly stop, you know that, we’re all forced to move on along with it. They say time waits for no man—least of all a broken-hearted girl. The clock keeps ticking, indifferent to your longing. Sooner or later, he’ll wake, and the bubble will burst.

You wonder how long you can keep this up. You’d just been talking earlier tonight, telling each other what had happened in the days you hadn’t spoken since the argument. The words had come easier than you expected, though none of them seemed to solve anything. Spencer had fallen asleep mid-sentence, right as you were recounting something trivial about your day. His exhaustion was written all over his face—the heavy pull of his eyelids, the way his head tilted slightly toward you before finally giving in. You’d paused, watching him, and the words you were about to say dissolved into silence. You hadn’t wanted to wake him.

The old you would’ve been angry, the frustration bubbling up into sharp words and accusations. The fight was always the same, well-rehearsed and raw: You always do this. I’m sorry. When are you not? I missed you. Then why won’t you stay? You know I can’t. You can. I can’t. It was less of a conversation and more of a script. It had long since stopped being about what either of you said; it was about how you said it and where it always led. It would’ve ended in a fight, Spencer’s guilt countered by your hurt, spiralling into a familiar standoff with no real resolution. 

But that was the old you. She’d had more fight in her, more fire to demand the things she felt she deserved. That fire has dimmed now, not extinguished, but banked low and steady, like you’ve learned to ration it. It’s not that the frustration has disappeared—it lingers, an ache beneath the surface—but you’ve stopped letting it boil over. Deep down, you know the real reason you didn’t start a fight tonight. It’s not just that you’re tired of fighting, though you are. It’s that you don’t know how much fight he still has in him. You don’t know if one more argument, one more crack in this fragile thing between you, will be the thing that makes him walk away for good.

And you’re not ready to find out.

So you let it slide. Not because you want to, but because you can. You’ve told yourself you’re strong enough to carry it—to make up the weight of his distance, his exhaustion, his inability to give you what you need. You let him sleep, listening to the steady rhythm of his breathing, and you tell yourself it’s enough. 

But Spencer shifts again, and this time his eyes flutter open. You freeze, your body tense, as if staying perfectly still might undo his wakefulness. 

“Hey,” he murmurs groggily, his voice thick with sleep. His arm snakes over your waist, pulling you closer. For a brief, fleeting second, you allow yourself to relish the warmth of his touch, the illusion of intimacy.

Then his hand moves. He’s reaching—not for you, but for his watch on the bedside table.

He checks the time, squinting in the dim light filtering through the blinds. And you know. You know what’s coming next. 

“I should go.” he says softly, his arm already retreating from where it had rested over your waist. He pushes himself up, running a hand through his sleep-mussed hair.

You sit up slightly, the sheets pooling around you, and force a small smile. “Okay” you murmur, the words feeling hollow even as they leave your lips.

Spencer’s already out of bed, reaching for his shirt and bag. The routine feels mechanical, practiced—a series of motions he’s repeated so many times it barely registers as something that could hurt you. He pulls the shirt over his head, adjusts the strap on his bag, and leans down to kiss your forehead. Friends, as if. You think.

It’s a fleeting gesture, a touch that’s supposed to mean something but feels more like a formality now. More perfunctory than tender.

“I’m sorry I fell asleep,” he says as he straightens, glancing at his watch like he’s late for something more important. “You should’ve woken me up.”

You shake your head silently, not trusting that your thoughts won’t betray you. Don’t wake up. Don’t leave me. Don’t go. Instead you settle for, “You were tired. You should get some rest.” The weight in your chest feels unbearable but you press your lips into a tight, strained smile anyways. A silent permission for him to leave.

He doesn’t hesitate.

“Drive safe,” you say quietly as you walk him to the door.

“I’ll text you?” he offers, already halfway out.

“Okay,” you reply, the word barely audible.

And then he’s gone.

The sound of the door clicking shut echoes in the quiet of your apartment, final and unrelenting. You stand there for a moment, staring at the door as if willing it to open again, as if hoping he might turn around and come back. You know he won’t. 

You turn and lean against the wall, the cool surface grounding you, a poor substitute for the warmth that was just beside you. The apartment feels colder, emptier now, the silence deafening. The clock on the wall ticks forward, oblivious to your grief, dragging you further away from the moment he was just here. You feel stuck in place, a reluctant passenger watching the world rush forward while you’re left behind, stranded.

You think back to what Einstein had said and you think he’s got it all wrong. How if one observer moves at the speed of light, time will slow down for them. Because no matter how tightly you try to hold on, the jet doesn’t slow down. It won’t wait for you. The jet will keep moving forward, unrelenting, and him along with it. With or without you.

And as you stand alone in the stillness he’s left behind, you realize it’s always been without you.

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

[flemingsfreckles]

Replacement Pt.12

Read the rest of the series here!

Warnings: just some pg13 making out, nothing else.

WC: 3.3k

A/N: hi, I finally got this chapter finished, it’s been a struggle, like I’ve said I’ve been incredibly busy, I’m hoping to get some short blurbs written for yall so I can get back to consistently posting.

You didn’t hear much from Jessie the next day. A few texts here and there, but nothing like you were used to. You acknowledged each other at training, uncomfortable glances in each other's direction, followed by quick, training related conversations.

You hated it. Feeling like you had messed up, that you were to blame. You had spent the night feeling angry, at Jessie and at yourself. Her words had hurt, the way she nearly dismissed what you had seen as valuable. You loved the safety you felt when it was just the two of you in her apartment. You loved how it felt to finally feel comfortable exploring this side of your life. You loved being able to touch her, hold her hand, kiss her and not feel scared. You loved being able to open talk, no teammates or strangers potentially listening in. You figured she had felt the same, until she had called it all fake.

At the same time you were mad at her, you were mad at yourself. You knew it wasn’t fair to force Jessie into dates at home. She deserved someone who wanted to show her off, someone who was proud to be her girlfriend and showed it. You hadn’t given that to her. The longer you sat in bed thinking, the more you felt torn. You didn’t want to lose her, but you weren’t ready for everyone to know, at least not yet.

“Can I pick you up tonight? 9pm? I’ll have you home by midnight I promise.” Those were the first words you spoke to Jessie this morning that weren’t related to soccer. You had waited around in the locker room after training until all your teammates had left and just the two of you sat side by side in your cubbies.

“Kinda late don’t you think?” She questions quietly.

“Please?” You didn’t want to have to beg her, but you needed to talk, you needed this chance with her.

“Okay, sure.”

“Okay, I’ll pick you up.” You say to her as she heads out of the locker room. A little hurt that she hadn’t waited to walk out with you, but you also couldn’t blame her too much. This morning had been tense and awkward, it was fair for her to run off.

“You’re not going to kill me up here are you?” Jessie tries to break the silence in the car. You just glance at her. “Sorry, obviously a joke.”

You and Jessie had been driving for about 25 minutes before you parked the car. You had traveled out of the city of Portland, into the woods, down a gravel road, to a small clearing you found last year. Away from the hussle and bussle of the city, it became a quiet place for you to think. It probably wasn’t at all what she was expecting, but you didn’t mind surprising her.

“9pm picnic?” Jessie says, puzzled look on her face as she followed you out of the car and watched you lay out the blanket you had brought.

“No, stargazing.” You point upward to the clear sky displaying tiny bright dots of light.

“Oh.” Jessie makes her way to the blanket, toeing off her shoes before sitting down. You follow, sitting beside her. Just like the car, the two of you start off in silence, waiting for the other to break it.

“Look, Jessie.” You start, waiting for her to turn to look at you, when her eyes meet yours you continue. “I know this isn’t completely public, but I’m trying. You asked to do something outside of our houses, this is what I’m comfortable with for now. I wanted to show you, I’m in this, I want this.”

“I know, I’m really sorry, for what I said, I should have never said those dates were fake, because they weren’t. Those evenings together meant something to me and they meant something to you. They weren’t fake and I’m so sorry I said they were. I’m in this too, I want this too. I just freaked out, thinking you’d keep me a secret forever, which now that I’ve reflected was stupid and I just panicked.”

“It was never my intention to keep you a secret forever. I just need a little bit more time. I’m still figuring this out.”

“Yeah, I know. You deserve to take the time you need, I’m sorry if I made you feel pressured in any way.” Her hand on your thigh gives you a gentle squeeze, sending tiny feelings of electricity up between your legs.

You respond with silence, not quite knowing where to take the conversation, but also just falling into a comfortable silence with the girl next to you. As you both lay, you lean your head over, resting it on her shoulder. The two of you lay in silence, admiring the display in the sky above you.

“This has been really nice.” Jessie says rolling over on her side to look at you. You keep your eyes trained on the sky, looking at the stars. “Thank you for showing me this.” She puts a kiss on your cheek before shifting to lay her head on your chest, one of her arms coming to wrap around your waist.

You feel your face rush with heat at the feeling of her kiss. You couldn’t believe something simple from her, like a peck on the cheek still gave you a tingling feeling in your stomach. “You know it’s been three months technically since our first date, and one month since we agreed to be girlfriends?”

“I did.” Jessie lets out a little sigh. “I just wasn’t sure if you wanted to make it a big deal or not, people are different, we hadn’t really done anything for month one or two, so I wasn’t sure if you maybe weren’t a monthly anniversary person or not.

“I wasn’t sure if you were, that’s why I haven’t been saying anything.”

“So we’ve just been not acknowledging it.” Jessie laughs softly as she speaks.

“Yeah I guess.” You shrug.

You feel Jessie shift on the blanket, she lifts her head momentarily.“I’ve had a really nice three months with you.”

“Me too babe.” You both share a smile before Jessie leans up toward you, her lips finding yours.

As you kiss you can almost feel a shift. One you can’t quite place but the way she kissed you, felt deeper, more passionate, her tongue running against yours felt dirtier, in a way that made you want more. Before you can get too carried away you find yourself pulling back. You wanted it, but not on a blanket, on a rock, in the middle of somewhat secluded woods.

“Um, so it’s almost eleven, I promised I’d have you home by midnight.”

“Right…” Jessie says. “I mean, we do have film and recovery tomorrow. Should probably get at least some sleep.” Both of you groan as you stand up, not wanting to leave the peaceful night you had created, but you knew you had to.

After the short drive home you found yourself parking your car outside of your own place, instead of Jessie’s. “Sorry, I’ll drop you off in a second, I forgot something for you, I meant to grab it earlier.”

“Of course, no problem.”

“Unless you wanted to come upstairs?” It was an innocent enough question you posed to Jessie, but both of you knew it likely had a less than innocent underlying meaning.

You had been more physical on your date tonight than most. Your hands had constantly been finding ways to touch Jessie. Your hand in hers, your hand on her thigh, hand on her back, your fingers running through her hair, and she was returning the favor, her hands running down your side as she had rested with her head on your chest.

“Yeah, if you want me to?”

“I do.” You nodded. “Plus, tomorrow is just film and recovery, if we’re a little sleepy, it’ll be alright.” You end the sentence with a slight smirk on your face. The two of you made quick work of getting out of your car and she followed you up to your building.

You initiated it. The second the two of you made it through the door, your lips found Jessie’s, kissing her hard, not wasting any time before you let your tongue slide against her lips. Hands on her hips you urge her to move backward in the direction of your bedroom.

You poured years of self hatred and denial into the kiss, you were finally getting what you had always wanted deep down. The feelings you had suppressed for years poured out as the two of you made your way into the bedroom.

You reach the bed, finally breaking your kiss and you climb onto it as Jessie stands at the side, watching you. “Are you sure?”

“Yeah, I’m sure.” Not having to think twice you reassure her with an enthusiastic nod, it felt right, tonight was the night. You had no idea what you were doing, but excitement filled your stomach.

“Okay, just tell me if you change your mind.” Jessie says as she climbs onto the bed next to you, situating herself between your thighs.

Leaning down, she covers your body with her own, her lips making their way back to yours and the two of you spend time kissing. You slowly become used to the feeling of her body on yours, it's new, but you liked it, your hands hold her sides as her own hold her above you. Every slight shift of her weight you can feel, the longer you kiss her the more restless you become. You can feel the way her hips softly rock against yours. For a moment you’re in heaven.

You can feel your head start to spin as she kisses the side of your neck. The feeling you're experiencing is one you’re unable to put into words, a mix of uncertainty and excitement fill your system. Feeling bold in your movements you let your hands pick at the edges of Jessie’s shirt, your fingers just barely touching her bare skin underneath. She sits back, breaking away her lips from your skin and you watch as she puts her arms up.

“Go ahead.” She nods with a smile down to you and you slowly pull the shirt up and over her head. You let your eyes trail down her body, pausing a little too long at her chest, still covered in a sports bra. It was a view you had seen hundreds of times in the locker room but this was different. This wasn’t seeing her change into her kit for a game, this wasn’t her changing after practice. She was undressing for you. That made it different.

You’re enjoying the attention she’s giving to your neck and lips, until her hands find their way to the hem of your shirt and you feel her begin to gently pull on it. She doesn’t quite make a move to take it off of you yet, but you know that’s what she’s teasing at, her fingers creeping further under your shirt. That’s when your stomach feels like a sinking rock, it finally sets in what the two of you were doing. She was going to be naked, you were going to be naked. She’d be seeing every inch of you. You hadn’t done anything like this before, before Jessie you’d hardly made out with anyone.

As her fingertips graze the band of your bra the feeling in your stomach grows and for a moment you’re worried you’ll be sick. “Hang on Jess.” You’re able to whisper out and you almost regret it as you feel her lips pull away from your sensitive skin.

“Are you okay?” Jessie pulls back looking at your face, her fingers still touching under your shirt.

“Uh.” You try to find your voice, the words to tell her. Feeling frozen you just look at her. When she moves her fingers slightly you jump under her touch. Jessie now looks concerned as she looks down at you. You feel like you could cry in the moment, the lump in your throat starting to feel impossible to swallow.

“We can stop.” Jessie offers sweetly.

“No Jess, it's fine.” You quickly find the words trying to convince her and yourself that you’re okay. “I’m fine.”

“I don’t think you mean that.” Jessie stays still, her hands still resting on either side of your abdomen, you hope she can’t feel how uneven your breathing is, or just how hard your heart is beating. “I can tell you’re nervous, we don’t have to do anything you don’t want to.”

You shouldn’t be embarrassed, but you were. Tucking your head down to avoid her eyes, you can feel them burning into the crown of your head. The heat rising on your cheeks makes this feel even more embarrassing. “I’ve just, I’ve never, and I don’t, I mean, I’m just not sure.” You manage to mumble out.

Jessie doesn’t say anything initially, but you feel her fingers slide out from under your shirt, resting on your thighs that were still wrapped around her waist. “Hey, it’s okay.” She begins rubbing slow strokes up and down your shorts, comforting you. Her right hand leaves your thigh and finds your own hand, gently interlacing your fingers.

“I’m sorry.” Your voice cracks slightly and you can feel the tears welling up, blinking hard a couple escape and roll down your cheek. “I thought I was ready.”

“It’s okay, look at me.” Jessie politely requests. You turn your head, giving her a quick glance before shying away again. “Please,” it’s a gentle ask and you do as she says, making eye contact with her for just a moment before your eyes fall to your lap again, “I don't care, I mean, I do obviously, I care about you. I just mean, if you’re ever not ready, not comfortable, we’re not going to do anything.”

“I want to, I promise, I want to have sex with you, just, I don’t know, it’s still all new.” You couldn’t quite put into words the feelings you were having, uneasy, anxious, and yet excited, all flooding your system making you feel unwell.

“That’s okay.” Jessie swings her legs over yours, sitting down on the bed next to you, she reaches for her own previously discarded shirt pulling it over her head quickly before returning her focus to you. “You don't need a reason, and it's also okay to just not be ready.”

You just nod. You stay staring ahead, where Jessie used to sit, now your eyes fell across the room on the empty wall. An unsettling feeling still in your stomach, you just wanted it to go away. Your brain felt like it was ready to explode and yet it was silent at the same time, having no idea how to process the emotions you went through.

You’re not sure how long it’s been when Jessie speaks again. “Do you want me to go? I can leave if you need some space, Or I can stay, it’s your choice, whatever will make you comfortable.”

You hardly had to think before you knew the answer “Stay?”

“Of course.” Jessie says, you can almost feel her relax into the bed slightly. She moves around, covering herself with the throw blanket that rested on your bed.

“You’re not mad?” Finally having the courage to speak, you ask, slightly terrified of what the answer might be.

“Why would I be mad?” She turns looking at you with a hint of sadness in her expression.

“I don’t know. I mean I started it, I made it seem like we were going to, ya know.” Your hands play with the blanket.

“I’ll never be mad at you for saying no, no one should ever get mad at you for that.” Her hand finds yours, encouraging you to stop fidgeting with the blanket. “Whenever you’re ready.”

“Okay.” You turn, swinging your legs off the bed. “I’m going to get ready for bed, I have an extra toothbrush if you still want to spend the night.”

“Yeah, only if you’re sure?”

“I am, feel free to grab clothes from my dresser, if you wanted something besides what you’ve got on.” You point over where your dresser was against the wall. Jessie nods then moves toward the dresser opening a few drawers before finding your t-shirts. She looks through a few and then holds one up. M

“Cool if I take this one?” She holds it up to you. You nod before heading into the bathroom. While you’re rummaging through your closet to find the packaged toothbrush for Jessie she joins you, your shirt now across her chest and one of your favorite pairs of sweats on her legs. You can’t help but feel your stomach flutter at the sight of her in your clothes.

“Here ya go.” You hand her the toothbrush and she walks to your sink. “I’m going to go change, I’ll be right back.” Quickly throwing on sweatpants and a shirt of your own you return to the bathroom, washing your face and brushing your teeth before heading back toward your bed.

Jessie is standing at the foot of it, looking at you. “Do you have a side preference?” You shake your head before moving to the closest side of the bed, lifting the covers and beginning to climb in, you reach over setting an alarm for the morning. Jessie gets the idea and moves to the other side, putting her phone on the bedside table and climbing in as well.

You’d never slept next to anyone in a romantic way. Sure you’d shared beds with teammates before but never a teammate that you also kissed, and hugged, and lov-, really liked. You feel your face heating up at the near confession that just happened in your brain.

Despite the darkness of your room, Jessie somehow could see right through you. “Just lay how you normally would, pretend I’m not here.” Following her instructions you roll off your back and onto your side, facing away from Jessie. “There ya go.” Staring at the rest of your bedroom you can’t see, but feel the bed shift as Jessie moves around. “Is it okay if I lay behind you?”

“Yeah go ahead.” As you give her permission, Jessie moves and you suddenly feel her legs against yours before her chest is against your back.

“Can I put my arm around you?” Instead of verbally answering, you reach an arm of your own back, finding Jessie’s wrist and pulling her forward so her arm draped across your middle. “You comfortable?” She checked in with you.

“Yeah, I’m good.” That was mostly the truth, you were more comfortable than before, and Jessie’s body against yours was a welcomed warmth, but that didn’t mean it calmed your mind fully. Your mind was still thinking about how it had felt to have Jessie on top of you, your legs wrapped around her waist as she ever so slightly had rolled her hips, how it felt for her hands to be under your shirt, how her lips felt on your neck, and while you had loved all those things, you couldn’t stop thinking about how embarrassed you felt.

Here you were, an adult, still terrified of physical intimacy. You wanted it, you just couldn’t. It made it all too real. “I’m sorry.” It’s a weak apology from you that has Jessie immediately shushing in your ear.

She places a kiss to your shoulder and tightens her grip on your waist. “Go to sleep babe, nothing to be sorry for.”

[highlynerdy]

"Wen Xiao had supplied a surprising range of documentation. Some of it was rather florid poetry with a lot of barely comprehensible metaphors. Some of it was anatomical illustrations. Some manuscripts purported to be accurate historical accounts, and several were straight-up pornography with no pretence to literary style."

a fanARTifact book based on this brilliant fic by @achray1

My first fanARTifact in a cdrama fandom and I'm in love with it. It came together far easier than most of my projects do. As always, see pics and read more below.

So, I have always seen these accordion style books in cdramas, usually covered in book cloth and often given to the Emperor, but it wasn't until I watching Strange Tales of Tang Dynasty, that I saw these gorgeous wooden ones and lost my actual mind. I swooned and immediately saved them in my For Future Reference Folder of Doom.

It's not a surprise that I have been absolutely OBSESSED with Fangs of Fortune for the last few weeks (sorry non cdrama friends) and reading achray's amazing story fueled me to finally give this a try. It wasn't until I was writing this post and re-reading the fic that I realized she said scrolls and I should have tried making a scrolllllllll, aiya. There's always next time.

My wonderful husband - always one to encourage my fannish behavior - kindly took time out of his day yesterday to cut, plane, sand, and round these covers out of a piece of walnut he had lying around. He made them bigger originally and I thought they should be trimmed down a bit. I admit he was right and I should have left them larger. Ah well, next time. As per usual with these projects, I did do the research to check if walnut trees are native, or at least grow in China, and thankfully they do so moving right along.

The ones in the picture above were clearly stained and likely shellac-ed, but I only oiled mine (again with walnut oil), and pressed them over night to soak up any extra. Just look at the difference after they'd been oiled holy hell!

I experimented with quite a few ideas for attaching the text: vinyl, carving it out (no. omg. no. Carving walnut is a nightmare. I know that now), gold foiling. But I finally landed on calligraphy on paper and then adhering it on the cover like the reference image.

I went back and forth and round and round trying to decide what the cover should say. My initial thought was to translate Achray's entire fic title but that ended up being way, way too much text. So after talking with a discord friend and a lot of thought, we landed on "妖性爱习俗", which *should* translate to "Demon Sex Practices/Customs" or "The Practice of Demonic Sex" which comes from this excerpt in the fic:

"She shook herself, and stood up, mentally running through a list of all the texts— literary, historical, and medical— that she thought might or did describe demon sexual practices."

To do the text, I input the characters into a Chinese Calligraphy generator to use as reference. I don't own a brush capable of those gorgeous points, so I drew out the shapes and the followed the reference to fill them in. I did this a few times because I first made it way, waaaaay too big for the cover. I unfortunately decide to use a water based ink which, spoiler alert, will come back to bite me in the ass later.

See that bleeding. Yeah. That's my poor choice of a non waterproof ink, very thin calligraphy paper, and wheat paste asthe glue. Which I somehow didn't notice when I was doing the test on my extra board.

I decided to try out making wheat paste for the first time with this project and while I really did love the ability to remove and move around the piece you're gluing, it did not like to be stuck to the lightly oiled piece of wood so I decided after I redid the calligraphy on slightly thicker watercolor paper WITH waterproof ink, I would just stick with the tried and true PVA glue.

Lovely folks helped me decide between upper right hand corner or center placement and I'm really happy with the decision.

The inside is a torn down to size piece of an 22 x 30 Arches cold press 90lb watercolor paper, because with all my fanARTifact projects, especially the books, I like them to be usable objects in the end. I was SO fucking careful with my measuring and scoring and folding with this project y'all and I think I deserve a cookie.

I only used one piece folded up because I wanted the book to be able to remain flat/closed when it's not being used, but I think when I try this again, I will maybe try two pieces? Who knows. Certainly not me.

After all the stress of the calligraphy and the glue experiments gone wrong, it was finally assembled and put in my press with copious amounts of wax paper to protect everything.

In conclusion, this was a hell of a fun project and maybe the fastest I've ever seen a fanARTifact come together from start to finish. But I suppose one of the good things about learning all these new skills from each one of these projects will just make them come together easier (???) each time. I would love to get a nice calligraphy brush, some Xuan paper, and some ink and an inkstone to try a project like this again in the future.

I also want to try a scroll (which this should have been), stab binding, AND dragon scale binding. But, ya know, one step at a time yadda yadda.

Thank you, @achray1 for writing such wonderful, inspiring fics. And as always, if you made it to the end of my long ass posts, you deserve a cookie. 💛

[thearunadragon]

Like many other people, I have wanted to know for years what it is the Menoä Tree took from Eragon. Let us analyze what we know, shall we?

Firstly, Paolini has said that whatever it is is long-winded and will cause many dramatic issues in the future (Book V.) And, secondly, we know that at least one person has gotten it right, and in a post 4+ years old judging by the time Paolini said this. The platform of the correct theory is, to my knowledge, unknown.

The popular fan theories that have been disproved include:

Eragon or Saphira’s fertility. Paolini has stated clearly they both still have the ability to have children (though Eragon’s transformation during the Agaetí Blödhren might make this difficult with a normal human/elf.)

Saphira’s Eldunarí. Paolini states both that what was taken ONLY affects Eragon, and Saphira definitely would notice if her Eldunarí was missing. Furthermore, he stated the theory that Eragon gained his own Eldunarí during his transformation is false, but interesting regardless.

Eragon’s connection to the land. Paolini stated that Eragon’s loss was unrelated to his leaving Alagaësia, Angela’s prophecy, or anything of this nature.

The Menoä Tree did not take nothing. She did, in fact, take something, but of what nature, we do not know, though I saw a hint Poalini left about it mentioning that Eragon’s transformation was not complete.

He has also stated that what is taken should be guessable based on given text. However, most theories I have seen that would leave the Menoä Tree’s actions making sense have been disproved, as it apparently is not related to her backstory, at least not evidently.

He also says that the Menoä Tree definitely TOOK something, which disproves the theory that she put a “seed” in his body to continue her forest.

It is also (if the information I was relayed is correct) disproved that Menoä tree took Eragon’s sperm, or his DNA. (Besides, neither of these would have formed a physical pain, as he felt in the book. Even though it would amuse me to think that she, like, stole his DNA to make her a new lover to replace her old, cheating one, but this time with less flaws. She WAS weirdly interested in ‘what nature of creature Eragon was…’)

She did not fix any incurable disease (as said in an interview) and it is highly doubtful that she took part of his spleen, gallbladder, or appendix, though I cannot remember if I actually SAW him say this is untrue, or dreamt it. HOWEVER, this is a very popular theory (partly in satire) and Paolini has stated that all popular fan theories are not correct.

But what does that leave us? What did she take? A part of his intestine? A piece of his True Name (though that also wouldn’t explain the physical discomfort)? Cause a hernia? It’s BUGGING ME. I NEED to know, and I’ve been searching every Menoä Tree post I can find for answers (and I still am)!

The only way I can think of to know fully would be to understand a COMPLETE Rider’s transformation and try to find the missing piece between it and Eragon. Or maybe the piece is not something taken from the transformation itself, but something that will cause issue when the transformation progresses. Perhaps a part of his connection to magic, a measure of strength, ANYTHING.

Now, perhaps it really is an organ, or another physical part of his body (which makes the most sense to me, considering the physical pain in his stomach mentioned) in which case his rapid loss of weight mentioned in TFTWTW might be a clue of some sort, but I can’t be certain. (He has been working hard, after all, and stressed half to death to boot.)

Are there any theories you guys have come up with or seen? What am I missing here?

[drakorn]

Rewriting Veilguard Part 2 - The Shadow Dragons

Rewriting Veilguard Part 1 - The World State

Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.

Writing an Origin Story Mission for the Shadow Dragons

Now that we have dealt with our World State, it’s time to pick Rook’s background. When I first learned that there would be six factions to choose from, I was honestly very ecstatic. You’re telling me we’re getting six different origin stories for Rook? Did BioWare finally listen to the fans’ wish to get one more game with DAO-style prologue missions before the big main plot begins? Then I learned that six of the companions you meet would represent one of those respective factions, and I was like “Amazing, so you will definitely have one party member with whom you can at least align interests and goals from the start.”

What we ended up getting was…sort of something in the middle. Your backstory is brought up and you get quite a lot of unique dialogue regarding your faction. If you’re a Shadow Dragon, there’s a lot of Minrathous dialogue tailored to you specifically. If you’re a Grey Warden, you’re having an absolute field day whenever the Blight is involved, which is…a huge chunk of the game.

But there was…something missing for me. You see, when we start the game, we’re immediately thrown into this epic mission where Rook, Varric, and Harding find Neve and race to stop Solas. It feels very much like we’re starting somewhere in the middle rather than at the beginning. And that, in my humble opinion, is due to the lack of a unique origin story that you can actually play through. So, here’s what the next few parts of this hypothetical rewrite of Veilguard will focus on: creating six unique playable origin stories that would very much be doable without the vampiric leech known as “development hell” hovering over you. This post will focus solely on the Shadow Dragon origin story, so stay tuned for the others. I’m aware of how long it might take between posts, but I want to make sure I do this the right way.

Creating Rook

We start the game, which immediately kicks off Varric’s opening narration. But instead of Varric talking about Solas immediately, we’re gonna set the stage for the general state of Northern Thedas: with the South experiencing a few years of relative peace, the North is a wholly different story: Tevinter and the Qunari have engaged in a bloody and brutal all-out war, the Grey Wardens are growing more reclusive, strange reality warping occurs in Arlathan Forest, a part of the Antaam broke off and is now occupying Antiva and Rivain, strange whispers arise from the Grand Necropolis, basically, everything is in chaos. But Varric is certain that one person is the key to all this. Cue the distant howling of a wolf and six red eyes. Cut to black.

Now we get to customise Rook and choose our faction. As the title of this post suggests, we’re taking the Shadow Dragon route. The backstory text, however, is going to be different to the one we get in DAV. You see, when reading through those backstories, I got the feeling that all of them sounded like outlines for what could have been the origin story quest. I am actually 100% confident that BioWare planned on including prologue missions at one point but had to scrap them due to development hell reasons. And all of the six summaries essentially boil down to “you upset some higher authority and now your faction wants you out of the spotlight.” All the choices regarding Rook’s personality have already been made for us. Playing this actual backstory allows us to roleplay in a roleplaying game, which…shocking, I know, but here me out. Instead, the origin text we get when we click on the Shadow Dragons is simply going to be:

“You are a Shadow Dragon. This underground resistance opposes corrupt rulers and slavery in Tevinter. Coming from all walks of life, they are determined to bring justice to the people. As a member of House Mercar, a renowned Soporati family renowned on the battlefield against the Antaam, you have much influence to bring, and much to lose.”

That’s just the small little snippet we see when hovering over the option. But that’s all we’re gonna get for now. There is no mention yet of Rook’s personality as we’ll get to shape it ourselves a little bit. So, we customise our Rook, finalise our massive World State, and click on the play button at last.

Varric’s narration continues, just like in DAV, but this time, he’s going to give us our chosen faction’s backstory. We get a recap on how Dorian and Maevaris founded the Lucerni shortly after the war with Corypheus and how much of a ray of hope this group was in the twisted and corrupt society of the Tevinter Imperium. But then, some of the more powerful magisters began to heavily push against them, eventually leading to Maevaris being framed for treason and losing her seat in the Magisterium. She took all the blame on herself so that Dorian would be able to retain a spotless reputation and continue their work on the great political stage. Maevaris took the remaining Lucerni underground and formed the Shadow Dragons, continuing their work under a different name. Now unbound by political restrictions, the Shadow Dragons are free to take more radical measures in their fight against oppression and slavery. And Varric is confident that the perfect candidate to go against the bigger threat can be found in this group.

The Shadow Lair

Our story begins in Minrathous, in the underground base of the Shadow Dragons. And right off the bat, we’re making a change regarding said base’s location. In DAV, it stands in a random building somewhere in Dock Town that pretty much anyone could access. I get that they were probably going for the “hide in plain sight” approach, but let’s actually have some fun here.

In this rewrite, the Shadow Dragons are literally operating from the underground. Now, Minrathous’ underground system has two things that are very beneficial for a secretive rebellious organisation:

Vast catacombs. The catacombs of Minrathous are so massive that they can store food to survive years of siege. Minrathous, like so many cities and settlements in Tevinter, is built on the bones of Elvhenan. You can easily get lost in those catacombs.

Gigantic sewers. The sewers are arguably even more treacherous than the catacombs, because we have seen in Tevinter Nights what can lurk there. Imagine the sewers of the greatest city in the world, the greatest magical city in the world. Surely it comes with its own set of urban legends akin to the sewer gator. But in a city like Minrathous, those legends are probably true. Failed magical experiments, lyrium-infused mutations, abominations of former mages who failed some twisted blood magic experiment, possessed objects; all this can be found in Minrathous’ sewers. Dangerous for everyone, and therefore perfect for the Shadow Dragons.

The Shadow Dragons operate from a place called "The Shadow Lair”, a section of an underground district known simply as “The Undercity”. That’s where all the poor and forgotten retreat if they wish to disappear from the world, or criminals who flee the Imperium’s justice system. A dangerous but also perfect place.

NOTE: For the duration of the prologue, Rook will be referred to by the name of Mercar, as “Rook” is the name they give themselves after disappearing from the scene.

Depending on what race Mercar is, the stakes vary:

If Mercar is a human, they are the direct heir of House Mercar, destined to take over the family name one day. If Mercar is a human mage, they are currently in the process of getting their family appointed to Laetan status, which will give them more political power and influence.

If Mercar is a dwarf, they are an adopted scion of House Mercar.

If Mercar is an elf or a qunari, they are an official slave of House Mercar, but it’s made pretty clear in the beginning that House Mercar’s slaves are slaves in name only, while actually being more akin to paid servants. House Mercar simply refers to them as slaves to stay under the Magisterium’s radar and actually uses them to pass on information to the Shadow Dragons.

I was personally disappointed that DAV didn’t really touch on Tevinter’s slavery system. It felt a bit like I was treated with kid gloves and not given the trust to being able to handle dark topics. But Tevinter, as has been established in all DA media before DAV, is a pretty dark place for anyone who isn’t a human mage. And it’s important to depict that as it shows the stakes and just how rotten of a society the Imperium is. We need to see what the Shadow Dragons are actually fighting for. It’s not enough to just tell us how much a freedom fighter group we are, no, we need to see it.

Meeting the Leaders of the Shadow Dragons

For the sake of this playthrough, our Mercar is going to be a human mage, and thus not only the direct heir to the house but also one who can elevate it to Laetan status. We have a lot to lose, so we must be extra careful in this precarious situation.

So Mercar meets with the leaders of the Shadow Dragons, namely Maevaris and the Viper. From this conversation, we get the general gist of what’s about to happen and why we are here: House Mercar decided to get a bit more involved with the Shadow Dragons after both parties discovered a massive plot for something big involving Minrathous’ vast slave population. Whatever it is, it’s happening somewhere in Dock Town, and we are to rendezvous with Neve Gallus, a local and renowned detective, to get to the bottom of this.

Exploring the Shadow Lair

After the conversation, we get to have a quick look around the Shadow Lair, where we can instigate a small series of encounters:

We can talk to Maevaris some more and learn about her past and her motivation behind what used to be the Lucerni.

We can talk to the Viper and learn more about him, how he’s usually running operations and that he’s from an Altus house. But that’s about everything you can learn about him at this point in time.

We can meet Lorelei and learn about her being one of the city elves Loghain sold to Tevinter all the way back in DAO. She will give a few remarks on how the Hero of Ferelden dealt with the Alienage and how she and Alistair made it a more just place.

NOTE: For this rewrite’s hypothetical playthrough, the Hero of Ferelden is a Human Noble who romanced Alistair and became Queen of Ferelden. She is now searching for a cure for the Calling.

We can have a bit of a look at the Undercity and just see how much of a poor and dark place it is. This is the gutter, no, this is below the gutter. The people here wish to disappear. They are miserable, most of them have given up hope. The Shadow Dragons are the only ones who actually care about them.

Since the Undercity is below modern Minrathous, we can see traces of ancient elven architecture on display, including mosaics and frescoes.

An Old Friend

Just as we’re about to leave for Dock Town, a familiar face strides into the Shadow Lair: Varric Tethras. Yes, we actually get to see Rook’s first meeting with Varric here! Maevaris greets and introduces him to us (and we actually get to know that Varric and Maevaris are family, which DAV kind of glossed over, thank you very much). Mercar gets to have a first chat with Varric, where he assess our personality. This vibe check is what allows us to determine Rook’s general personality: are we diplomatic, humorous, or aggressive? I fully get that Varric wouldn’t pick an evil person to fight against Solas, but we should still have some kind of roleplay room regarding Rook’s way of thinking and speaking.

Varric’s purpose in these prologues is very similar to Duncan’s in DAO. He’s the one who recruits you into the larger fight and acts as a mentor figure for a while. I was actually fully expecting that to be the case in the actual game when we were told that Varric recruits Rook into the fight against Solas. Well, he did, but I would have liked to see it! Alas, we shall do so here!

Varric stays behind in the Shadow Lair while we go off and do our thing.

Entering Dock Town

Dock Town is pretty much right above the Undercity, the gutter above the actual gutter. The entrance to the Shadow Lair is quite hidden with enchantments, known only to Shadow Dragons and their associates.

Dock Town is going to stay pretty much exactly as we see it in the game. If there is one place in Minrathous where everyone could mingle without being necessarily immediately prosecuted, it’s that place (which is probably why that’s the only part of Minrathous we see in the game, but I digress). However, there will be one major change: slavery is still a thing.

Dock Town is…well…a place where ships dock. That includes ships of slave traders and prisoners of war. In this rewrite, Tevinter is still locked into a war with the Qunari, so there will be a lot of that reflected in the environment. As we walk through Dock Town, we see guards on high alert, slaves and prisoners being led away in chains. We’re doing some important environmental storytelling here that lets us know exactly why Tevinter is a place that needs to be liberated and changed so desperately.

Meeting Neve Gallus

We find Neve Gallus at the Cobbled Swan. Depending on dialogue choices, we might or might not have heard of her up to this point. I think it would be fun if Mercar could geek out about her because he read some sensationalist tabloid about one of her cases.

So Neve tells us that a huge part of Dock Town was closed off for a great event, a former small coliseum that hasn’t been used in decades. Coincidentally, several unpurchased slaves and prisoners of war are being dragged into that area.

Neve has a good lead to assume that the Venatori are somehow behind this because of course they are. Neve gives us a recap on what the Venatori are and how she had multiple run-ins with them already. She is to be absolutely certain that Mercar can be trusted as they will need to work together on this. In response, Mercar shares his side of the information, that his father, Charon Mercar, who is also a respected Legatus in this rewrite, oversaw a strange pattern in how many prisoners of war and masterless slaves, primarily from places like Ventus and Carastes, Qunari-conquered cities, have simply disappeared, and how surprisingly many military vessels have been transferred to Minrathous. Since Neve is a detective, it’s fun to make this part of the journey feel a bit like a crime mystery.

Once all information has been shared, Neve declares that it’s time to go.

Approaching the Coliseum

Neve takes us across Dock Town’s roofs towards the closed-off area of the coliseum. There, we see just how massively guarded it is. The official excuse for all this is a military training exercise. Horrifyingly, this is much closer to the truth than we realise. There are Imperial Templars and Legionnaires patrolling the outskirts, so we have to find our way in.

Neve directs us to a secret hiding spot, where we meet Tarquin, who is, as we know, an Imperial Templar working for the Shadow Dragons. Not even he knows exactly what’s happening, but something definitely big is going on.

There are two options before us: do we sneak in from above and observe from the shadows, or do we disguise ourselves as templars and participate in a more open manner? This right here gives us another choice regarding Mercar’s way of doing things. Are we feeling confident enough to just walk in and hide in plain sight? Or do we take the stealthy approach? While Neve is all for stealth, Tarquin prefers the closer look. So a first major choice presents itself:

Follow Neve and observe the proceedings from above, quietly gathering the information you need.

Follow Tarquin and disguise yourself as an attendant, getting a much closer look at the proceedings.

So I’m feeling a little brave right now. I think my Mercar would try to do the bold approach to get better results, even if it means a higher risk. For this playthrough, I’m choosing to follow Tarquin and let myself be disguised. Neve begrudgingly follows along.

Entering the Coliseum

A few minutes later, Mercar, Neve, and Tarquin approach the Coliseum gates in disguise. Tarquin wears his Templar armour, while Mercar and Neve are dressed as mages of the Legion.

Once we enter the arena, we have the chance to explore it for a little while. Doing so allows us to encounter the following:

We can have an early chat with Magister Zara Renata, who will, of course, be very relevant later, along with her lackeys Felicia and Calivan, all of whom are prominent members of the Venatori. Neve is able to make that connection due to Felicia’s brother Livius having so notoriously attempted to corrupt the Wardens at Adamant Fortress in DAI.

We may encounter Magister Bataris, alongside his son Albin and get early hints of just how far the Venatori corruption runs.

If we make a good enough persuasion attempt at the Templar Captain guarding the entrance to a basement, we shall enter it and discover the prisoners and slaves intended for some heinous affair. Here, and only here, if we perform this correct dialogue choice, and being a human mage, unfortunately, certainly helps here, we get to see that our father, Charon Mercar, is among the imprisoned. And the worst of it all? He doesn’t even recognise you. Actually none of the slaves and prisoners react in any way, as all of them seem to be under some sort of spell. As we look closer, we can see that all of them have strange spiked collars around their necks, filled with blood. This is blood magic that keeps them entranced. If we want to risk it, we have time to break our father’s collar and ensure that perhaps, he can escape. So we do just that.

The Imperator

Following our exploration of the Coliseum, we get streamed into a crowd of onlookers as the Imperator of Tevinter’s legions, the Supreme Legatus himself, Magister Aemilianus Laskaris, enters the centre of the arena.

We know from DAV that Tevinter has an Imperator, and the Imperator is not the same as the Archon in this context. While the Archon is the overall ruler, the Imperator is the highest military commander. Think of this guy as Tevinter’s version of Loghain. Laskaris also happens to be one of the loudest voices responsible for forcing the Lucerni out of the Magisterium.

Laskaris delivers a speech in which he proclaims just how bad Tevinter is faring against the Antaam. Here we get some early insight into the fact that a large chunk of the Qunari army broke off and is now bearing down on Antiva and Rivain. However, a large part of it remained and is following the Arishok into battle against the Imperium. And even against this broken Antaam, the Legions are starting to fail.

Laskaris cites lost cities such as Ventus, Carastes, and Neromenian as evidence for the desperate situation Tevinter is now facing. Therefore, something must be done. Something drastic. He presents, to the gathered onlookers, the Salvatio Initiative. Basically, all unpurchased slaves and prisoners of war are to be given to Tevinter’s legions, where Laskaris and the Legates serving under him will perform blood magic rituals to turn them into mindless but ravaging soldiers against the Antaam. Dangerous cannon fodder essentially. He will use tonight’s demonstration to convince the gathered members of the Magisterium to pass a law that will officially permit Tevinter’s legions to use blood magic. Well, we know, Tevinter has always used blood magic behind closed doors, but this will mean that all safety measures are off, all precautions, all careful attempts at hiding it. And the worst part is: since slaves are considered nothing but tools, it won’t even be seen as unethical by the large portion of conservative Senate members. And prisoners of war? Qunari? Who cares about them anyway, right? This is the darkness and true corruption permeating Tevinter. This is exactly why the Shadow Dragons exist to bring back the light.

Several doors open and Laskaris directs all slaves and prisoners to be brought forth.  They are all wearing the blood collars. Upon the Imperator’s command, him and several blood mages under his leadership, activate the blood collars and turn the slaves and prisoners into an absolute frenzy. A battle erupts in which the sheer destructive power of the now-mindless fighters is demonstrated.

Mercar now has a choice to make, and it is the biggest one there is in the prologue:

Do we stealthily fight the blood mages and try to rescue the innocent mind-controlled people without blowing our cover? You do, however, risk your father dying.

Do we rush in headfirst and fight Laskaris head-on, saving your father but maybe dooming more innocents and risking exposure?

Do we put our personal emotional interest above the greater good or vice versa? Well, because we broke our father’s collar earlier, we can at least assume that he’s going to be able to fight for himself with a clear head, so let’s focus on the blood mages in a stealthy manner.

Neve and Tarquin quickly take us behind the scenes as the crowd watchers in apt interest. There are five blood mages, including Laskaris, who need to be dealt with. Neve takes one half, Tarquin the other, while you have a go at Laskaris himself. You are masked so he won’t know it’s you.

While Neve and Tarquin successfully dismantle two blood mages each, we sneak right up to Laskaris and try to either knock him out or backstab him altogether. This results in the same outcome but tells a lot about Mercar’s personality. Do we kill this guy and end it now? Or do we try and incapacitate him so that he can still be of use for the future?

Regardless, Laskaris sees it coming and engages in a boss battle against us. It’s a tough battle, one that we are logically meant to lose. If we get Laskaris down to 0HP, miraculously so unless we play on Storyteller mode, the cutscene will slightly change but the outcome remains largely the same.

Laskaris lashes out and wounds us, causing us to fall down, bleeding, losing our mask, exposing ourselves to Laskaris, while the slaves and prisoners stage a mad revolt around us, forcing the gathered magisters to flee the scene. But because we freed our father from his collar, he comes rushing in to save us, engaging Laskaris in a one-on-one duel. Despite “only” being Soporati, he puts up quite a fight with his huge two-hander. We want to help him, desperately so, but we are just too weak. Laskaris is impressed by Charon’s strength, but ultimately, deals him a mortal wound. Just before Laskaris turns to finish us off, he is struck in the shoulder by…Bianca!

Varric steps into the fray and fires off a row of bolts against the Imperator, allowing Neve and Tarquin to take us away as we pass out. As they do so, the Viper appears and casts a spell that shrouds the whole arena in fog.

Back at the Shadow Lair

We awaken in the Shadow Lair and are greeted by Varric. It turns out that he was using this whole mission to assess us from the background, to determine if we are the one he’s looking for. And he decides that, yes, we are. Laskaris, the Venatori, all of this is just one puzzle piece of something much greater. And that’s where Varric tells us about the Dread Wolf. That’s when we hear the little monologue from DAV’s opening. “I knew him as Solas.” The Dread Wolf has returned and is planning to tear down the Veil to restore the world of the ancient elves. Even if our own world must burn. “Someone’s gotta stop him. And that’s where you come in.”

What? We are supposed to accompany Varric on a quest to stop an ancient elven god? Obviously I’m going to refuse because hello? I’m a Shadow Dragon! I just discovered the biggest plot to endanger slaves ever since the Magister Sidereal tore open the Veil to reach the Golden City! I can’t just leave right now to pursue a fairy tale.

At this point, Maevaris joins us and tells us that the Dread Wolf is, indeed, a real threat. Besides, Mercar has to disappear for a while, now that Laskaris knows who we are. We can’t be seen with the Shadow Dragons for the time being. Doing so would just endanger the whole cause.

Reluctantly or readily, that depends on our personality, we concede that there is sense in Varric’s words. Varric advises us to adopt a codename as well, like so many agents of the Inquisition did back in the day. Mercar thinks for a moment, reflects on the most recent events, and decides on “Rook”. Varric approves. “The strongest piece on the chessboard, I like it.”

Afterwards we get a final chance to talk to the members of the Shadow Dragons before we depart, and get a last look at the Undercity. But not all is dire, for as it turns out, Neve is coming along too.

Yeah, so here’s the idea. When I learned that each companion would correspond to a faction, I thought that the faction we choose as our starting point would determine our first companion. So let us attempt this for this rewrite. In this case, we obviously get Neve. It took a lot of convincing from Varric to get her on board, as she loves her city, but she is also smart and realises that if Solas goes through with his plans, there won’t be a Minrathous to fight for.

What follows is a cutscene where Rook, Neve, and Varric depart the Shadow Lair and leave Minrathous altogether. One last time, Rook looks at the city he swore to fight for, then turns around and follows Varric into the unknown. And that’s where the screen turns black and we get our title card:

Dragon Age: Dreadwolf

Yeah…I personally feel like Dreadwolf was the better-sounding title. I totally get why Veilguard was ultimately chosen, but since this rewrite will have far more Solas in it, I think the original name is a bit more appropriate.

And that’s as far as we’ll go today! I hope you enjoyed my little hypothetical take on a potential Shadow Dragon origin mission. Of course, not everything is refined and perfect, but I hope you still got the overall gist of what I was going for! Next time, we shall focus on a potential prologue for the Grey Wardens! Stay tuned!

[lenaboskow]

PLS PLS PLS GET INTO HOW WOULD CHRIS REACT I find it so interesting, because most of the times is Chris just going "Great ! Im happy!" which valid, but honestly? I really like when it's more complex than that, like in the fic Pinky Promise by rainbow_nerds, that explores a bit the fact that Chris does in fact has abandoment issues, like I don't doubt that Chris (even angry) wants his dad to be happy, but c'moooon, his mother was his primary caretaker (because his dad left for the military, though it always hard for me to get the Diaz Timeline), then she left him, then she came back, then she died, his dad almost died at least twice (that he is aware of), Buck in the hospital, etc. Chris is going to have many complicated emotions ! I love him ! And I just wished people explored more all that potencial, you know?

i vividly remember making a diaz boys timeline back before the s7 finale but i just spent thirty minutes looking for it and i'm pretty sure i never posted it so... oops. maybe i'll make one later with the references but (apologies for the mess this is i tried to make it organized but i’m sick so there’s only so much i can do lmao):

when you look at it, buck has been consistently in christopher's life longer than shannon ever was, even if you restart after the lawsuit. shannon was him primary caregiver until he was about three, and then for a year it was eddieandshannon, after which she left. after that, it was consistently eddie. even if he wasn't around that often because he was working, he was still there, and that's what chris remembers. she came back for about half a year when he was seven, but then she died.

not counting the lawsuit, buck has been in christopher's life since he was eight. but the lawsuit wasn't that long, it was a few weeks at most, so the real answer is he's been in his life since he was seven. that's seven years at this point. to chris, buckandeddie has been a constant, more so than eddieandshannon, even if it's not the same type of partnership. and that's just a fact. sure, he'd known shannon for seven years, same as he's known buck, but technically she wasn't there for all of it. that's what he remembers.

but the same way eddie thought he needed to be with shannon romantically so as not to ruin the relationship, chris probably thinks eddie and buck need to keep the status quo not to ruin the relationship. especially when you take into his warped view of romantic relationships. shannon, ana, marisol, they all ended terribly for eddie. and buck? i'm not sure what he's told chris about his relationships, but he doesn't have a much better track record. abby ghosted him, ali left at the first sign of trouble, there was the whole jonah scenario with taylor (who actually was in christopher's life, so that definitely messed with chris a bit), tommy broke up with him seemingly out of nowhere...

it makes the most sense that chris wouldn't want them to date. if chris was home when they told him, i can imagine him calling pepa or carla, kind of a parallel to him running away to buck in s4 (which he can't do now for obvious reason). i don't think the arc would last long, i think whoever he ran to would start the conversation and tell him about an ex that they're still friends with, and then eddie would come to pick him up and they'd talk it out, there'd be a buckley-diaz scene, end of ep.

but if he was still in texas? he'd probably yell at them over the video call and then refuse to answer any calls or texts afterwards. buck and eddie would probably "break up" for an ep or two, and be absolutely miserable. this probably culminates in eddie taking a trip to texas (alone, maybe not even telling buck) and talking it out with chris, addressing their mutual fears about the relationship and eddie explaining that even if it doesn't work out, they'd still be friends, and even if that doesn't work out, buck would still be in his life, that it wouldn't be like when his mom left. there's definitely a video call to buck in this, after eddie and chris have talked their feelings out, and then chris would ask to come back home, effective immediately.

but there's also the question of how chris would react if eddie tells chris about his feelings for buck (pre-relationship). he'd probably tell eddie he can never act on it, then tell buck the same thing (without telling eddie) and then there's a few eps of buck and eddie acting distant from each other before chris snaps and says "you weren't supposed to act like you're already divorced!". of course that's if he's in la. if he's in texas it would probably play out the same way it would've if they were already together after they stopped avoiding each other and finally talked it out.

of course, they could go the easy route and have chris say "it's about time" but this is 911 we're talking about, they probably won't do that

[sonkitty]

Okay, I read all 8 posts and then I went back to this one first post. I have gone over every cut for this scene. I have made my own images with their own brightness and increased saturation. I have logged notes for my own sake and general curiosity.

This puzzle is one of the most intense ones I've found shared by other fans, and it was incredibly difficult.

You have clearly put a lot of thought, time, and energy into this theory.

But you were the one who was tricked from the start, right here. You were set up. You found a very elaborate red herring, and it was definitely thoroughly set out to trap you or anyone with this line of thinking.

The irony, the joke on you, is that you were the one who was misdirected, and this puzzle even told you that.

I don't blame you in the least because I am very used to being tricked by the games in this story, so I knew to be wary of this idea and why. I also know what to look for and what questions to ask because of how many times I've been tricked.

I will break it down because this puzzle is just way too good to pass up. Solving it is an excellent learning experience on how to solve the really advanced puzzles in this story. This thing is top tier. Bravo, Crowley. I cannot believe it was solvable, but I should know better by now.

That person is definitely not the Metatron. It is almost certainly the same person the whole time, and the story did make sure to give you clues on how to determine that while very much deliberately misleading you to your conclusion, except the chess thing. The story wants you to find and play its own original game, Earthly Objects, not chess.

This puzzle requires checking things cut by cut, not just frame by frame. It is extremely advanced.

Let's start with where you started because the clues are there if one knows what to look for. Here is my version based on the first image you provided:

Here is part of the text you provided: "White hair."

White hair?

Let's check that a bit closer, shall we? Look closely. Really, really closely.

There is a little bit of white hair at the bottom, and as you go up, you can see that the hair is darker on top. That is a darker gray. It is not white.

Here, let's compare this exact cut with my estimation of the exact frame you captured with similar angles for the Metatron:

And just in case we think the lighting is too favorable even in the bookshop, let's darken the Metatron portion:

You know something? I'll try and match the original better. I'll crop them all and brighten the original some. Then for the Metatron versions, I'll lower the scale, cut off the left ear, and try to get a decent match on the darkness of our brightened person in the coffee shop.

If you don't see it, the Metatron's hair does not progressively darken from the bottom up to the top. His white hair is white so it rather follows where the light itself hits the hair. That was a lot of effort to even make the comparison.

The Metatron's hair is also very slightly longer just above the neck, yes, even if his head were bowed slightly. Here, we can find the slightly bowed down look as he and Aziraphale make their way to the pub doors for the elevator:

Oh, now we can also see more clearly that the white collar would have to be much more defined to match the person in the coffee shop.

Let's take a look at the human you refer to as the "slim man" from the initial cut with his phone lit:

In this lighting, his hair does look more white at the bottom and darker at the top.

He doesn't always look like that.

This guy has a blue bag, and because I do play Earthly Objects, I happen to know where to find him shortly before this scene.

In this particular screenshot, he is near the post and obscuring Justine.

Here he is with the screenshot now cropped:

Well, his white hair doesn't look like it darkens either. We're seeing him from the right profile. We just saw from his left profile that in the lighting of the coffee shop scene itself, that's what his hair looks like in that setting.

If you look really hard in episode 5, you can find him without his bag here:

You might still have trouble seeing him, so let me emphasize where he is:

If you watch the whole cut, you'll see that he is in Crowley's and Aziraphale's line of sight. That means it is plausible they know what he actually looks like already.

Now if you zoom in, you can see that while you might be able to find a patch of lighter hair from the back, there is enough of a gradient that it's like what we see in the coffee shop. The hair is lighter at the bottom than at the top in this lighting as well.

Another super subtle difference in the hair is that the Metatron's hair is a little wavy in the back. This human's hair is straight in the back and on the sides, not wavy.

The main reason this coffee shop scene provides this hair clue is so that you don't start making excuses once you figure out the other clues based on his apparel.

Speaking of apparel, here is the next part of the text you provided: "dark overcoat."

You can find that is not a dark overcoat in the image below with the white box I've placed below the credit card stickers and to the left of the OPEN sign:

The Metatron's coat reaches to his knees. The human's jacket reaches below his butt and above his knees. You can tell through that blue inside the coffee shop and near darker colors that the upper clothing is the human's jacket, not the Metatron's overcoat. You are seeing the separation of the jacket from the pants, and it will come up again later.

You also say "rounded shoulders."

I disagree and think overall, he looks slender here, but let's move on because there is still more to be found.

For the blue area near where one can find out that the jacket is a jacket, is that blue then the blue bag? No, it is not. We can actually then find the blue bag because we now know where it is not.

Here is the cut in motion:

Watch the area above the judo sticker.

If you can't see it because it is too dark, here is the a picture shown earlier for the part I want anyone interested to notice:

This time, look at the white box near the judo sticker. That is the blue bag. We have now confirmed that we are indeed seeing the same human we saw before this supposed switch.

It was never the Metatron during this entire cut.

You were most certainly set up to believe so if you didn't check the earthly objects that could be used as clues more closely.

Note the red shoes on his back during this cut.

...

The entire scene is like that. It is constantly testing you every step of the way.

For example, here is more text from the original post: "Well, how come we never see the slim cell phone guy again?" you may wonder.

I see someone already noticed the same thing I'm going to note. If one checks the scene very thoroughly, I don't have to wonder at all. You actually circled it for us even if you didn't realize it.

Again, it helps to watch the clip in motion:

Now here are a few cropped screenshots for me to show you where to find it in the exact same cut you circled it for us:

It is no longer lit, but it is still there. You can find it by its darkness over the shirt of the human with the orange shirt and that darkness extending out from the clothing.

This cut is also the one being referenced with the following text:

"Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat."

Nope. You were tricked. Quite deliberately.

The sticker on the door just below the cell phone we just found is obscuring where the front of the jacket shows its separation from the pants.

Look further down near Nina's elbow, and you can see that the person in the coffee shop is stepping forward, so yes, his pants would meet his jacket behind that sticker.

In the next cut where you can see this person is when this puzzle shows you how you were just tricked.

This cut is for Nina saying, "You and your partner?"

That's why I said it's a cut-by-cut puzzle.

Let's take a closer look at this person:

You still might not see it, so I'll tell you what's happening and that you really do have to look extremely closely yourself, even with enhanced effects to clarify the image.

At the start of the cut, there is a small pocket where the jacket is meeting the pants just above the blue part of the door. As the person we are watching slides over to their left during the cut, this pocket is obscured by Nina's arm and so it ends up looking like an overcoat instead of a jacket. That's to help you know that if something is visually in the way of the jacket meeting the pants, it will look like an overcoat due to the limited lighting available and color of his clothing.

I'll box it from a video frame early in the cut, but I know you might not be able to see it because it's small and difficult to see, but I have checked quite thoroughly that it is there:

That's a jacket, not an overcoat, and the right side of the jacket is still obscured, this time by the door side panel. Crowley is giving us a clue here because we can see Crowley's jacket taking up a lot of space in the screenshot while also showing the red of his collar.

Still yet the next cut of this person in the coffee shop shows it more plainly:

After that, the clues shift to showing a gap between the legs above the knees.

The legs near the shoes are visible enough that you can see that the legs align with that gap.

But there's still more to this trick.

Here is the cut in full motion where you are declaring that is not a jacket, it's an overcoat. It's the part I said the jacket separating the pants was hidden by the sticker. Nina says, "You been together long?"

Did you notice the shoe moving over by Nina's left elbow? That's another clue. The Metatron wears baggy clothing. His pants run down to nearly his heels. This guy wears pants with cuffs rolled up above his shoe. You can't really tell the colors easily, but you can actually figure out that this pant leg over this shoe is a better match to the human than to the Metatron because it's too slender and tight near the ankle to be the Metatron.

Here is an image I made for reference:

I won't go over the rest of the cuts of this person in this setting where this trick is happening, but I hope you get the idea.

To close out the whole thing and even tell you that you were dealing with a red herring, here is part of the last cut of the trick:

That is a red light on one of the passing vehicles in a reflection passing over the red shoes on the door.

I didn't get the whole thing because it's long.

If you watch the whole cut, you'll even see the red of Crowley's collar again, more red lights, and red clothing on nearby humans.

I then checked the entire scene to be sure that such a red light was avoided on that window pane the whole time otherwise. It was indeed. I mean, looking at this post, there is technically a more subtle one than the type that I mean for when the human slides lightly to his left. I did mean something more defined like what is here. That's part of what I mean for how I'm tricked too. The scene waited for an audience player to check the whole thing all the way to the end of the trick to notice this clue.

If you go through the present day scenes where you expect to find humans on the street, you'll only find this human this easily in this episode. He's not one of the more easily findable repeats. He was absolutely set up for this trick into misleading someone that he might be the Metatron shown at this time.

...

But anyway, speaking of misdirection, let me leave you with a joke I found through trying to solve a different puzzle.

How do you trick an elevator? With misdirection.

The Metatron Misdirection: Nina's Magic Trick (A New Final 15 MetaTheory)

Part 1 of 8 in the Chess Moves Theory Set by @wistfulnightingale

**I believe it is new -- I haven't found it anywhere else.

Misdirection is a key element in the most skilled magic tricks. It's more than mere distraction, wiggling one hand while the other hides the ace. Misdirection in Magic means that the magician isn't "hiding" the trick; they are allowing you to think that you are looking at exactly the right moment, while convincingly focusing your attention away from the moment when 90% of the trick actually happened. Magicians Penn and Teller are quoted as saying, "The strongest lie is the lie that the audience tells itself."

This article on What Is Misdirection in Magic tells exactly how it's done. Check out the 7 Types of Misdirection in the article, or in my Chess Moves Theory Master Post. They're used easily and often in the final episodes of Season 2.

I think there might be a major misdirection in Episode 5 that set up the events of the second half of Episode 6, and makes sense of some of the crazy-weird scenes and out-of-character behaviors we see, both in that scene and later. But, it'll seem absolutely bonkers... so please, keep breathing, and hear me out, and please check out all the interconnected 8-Parts that help support my reasoning.

I include photos below, and I admit they're not clear enough to be "proof" on their own. But the idea itself would explain why Azi abruptly left Nina, and why Crowley babbled. Some of the other parts of my overall theory add some additional possibilities as well. (Interestingly, the photos are from videos that used to be available free on YouTube Prime Video, but have been removed from the Good Omens playlists in recent months.

In E5, while we were watching Crowley stammer, and listening to Nina puzzle out relationships, and when our belief in the Ineffable Marriage was shattered by Crowley's answer -- Nina was (without her knowledge) participating in the biggest Misdirection of Season 2.

I suspect The Metatron was already in the Coffee Shop. I know it sounds nuts, but I strongly suspect that Episode 6 was not his first visit. I believe that I can show you reasonable evidence (added up from here and from other parts of my Chess Moves Theory-series) that the Metatron made a "trial run" the day before, during this scene in Episode 5. Crowley and Aziraphale were each shocked to spot him through the window behind Nina. Misdirection made him almost impossible for us to see.

Almost. But I think he's there. At least, there's a guy in a long dark overcoat, who looks like he's talking to another customer. Possibly a coffee-confused celestial gentleman getting help from a good samaritan? Let me explain how I think it was done, and I'll show you what I think is the Metatron.

This screenshot (let's call it Photo #1) is untampered, basically what we see in the episode. Aziraphale was happily chatting with Crowley about the nonexistent pen of his nonexistent aunt's nonexistant gardener... Then Nina emerges, has "things to say" about Neighborhood Christmas lights (that's the moment in this screenshot)... and Aziraphale abruptly hurries away. Within minutes, Crowley is stammering as if he'd never had a moment's thought that he and his Angel could have a committed, romantic relationship.

How...? What...?! Crowley, really, dude, what the...??! (Please refer to An Old Married Couple for my thoughts on this!)

But when we take that same moment, come in closer, brighten and sharpen it, make it more vivid --

Photo #2. There. In the red oval. The white hair, the dark overcoat, rounded shoulders. The Metatron. We didn't expect to see him there. So we didn't.

Hold on! -- I don't expect you to be convinced yet. So I went through moment by moment. There are more photos. (I recommend that you also check the brightness of your own viewing screen -- it helps!)

Nina is used in the scene to perform a concealment and switch, a replacement (magician's call it a Change), and then a distraction -- A Magic Trick. Nina is a huge part of why we're not easily able to spot the Metatron.

Magic Trick Step 1: There's magical sleight of hand going on, even once you know what to look for. We are visually warned. When we first see Nina, as our Ineffables are talking about impossible French, she literally emerges from the shadows (see photo below). Remember, this is significantly Before talking about "Christmas lights" in Photos 1 & 2.

Magic Trick Step 2: If we do happen to look at the customers in the shop as Nina emerges, there's a white-haired man in line who is NOT the Metatron. Note his height compared to the orange-shirt guy. He's taller, and he's fairly slim. We can see his pants or denims, so he's wearing a short jacket, not an overcoat. He's also holding a lit cell phone and carrying a blue bag. I didn't brighten this photo at all. We're supposed to see this particular fellow. He's part of the magic trick, planted there for the switch, just in case we do notice a more significant white-haired man later.

Here's the same photo, brightened. You can more easily see that he's wearing a short jacket -- we see his legs as he steps forward.

(Pay attention to the man in the orange shirt. He's very visible with that bright color. In later shots, he stays near the Metatron, and helps us visually track them both, when both are blurred by distracting window reflections.)

Magic Trick Step 3: Next, Nina steps into the light. As she steps forward, she says, "Bravo! Just enjoying the show." Again, we are given cues that there's a show in play. She bends over to wipe a table, completely blocking our view of the slim white-haired man.

Magic Trick Step 4: The camara cuts to Azi, and that's the last we see of the slim man with the cell phone and bag. Presto-Change-o, Abracadabra! Like a disappearing act with a magician's silk cloth, or like Azi's trick for Nefertiti with the 3 cowry shells, the switch (in magic, called "the Change") has been made! The slim man is gone.

Magic Trick Step 5: When the camera returns to Nina, it's the first photo I showed you, with the Metatron in it. The man in orange isn't at the front of the line anymore. (Was he undecided about his order, and stepped aside?) We can see a sliver of his shirt to the left of the doorframe, just inside the oval, but he's almost entirely hidden. Nina's talking about the Christmas lights. "I have things to say."

It all happens in less than 30 seconds.

"Where, then, was the Metatron?" you may ask in disbelief. There's a big rectangular pillar in the middle of the floor behind Nina, just to the right of the line. There is a mural on it, so it's camouflaged. On the walls behind the pillar are menu boards -- we see them in the "How's your naked man friend" scene in E1. It's likely that the Metatron was behind the pillar, looking at the menu options.

"Well, how come we never see the slim cell phone guy again?" you may wonder. The tables at the far edges of the shop are never seen. If he sat down, especially at our far left, he'd be out of view.

Here's that "I have things to say" photo again --

That's when Aziraphale sees the Metatron. He's suddenly distracted. His response is brief, and odd. Just --- "Yes." We don't often see our Angel speechless. He walks away without another word. That. Is another out of character moment. He's gone from his "I'm having so much fun doing this" smile to the fake, nervous mask he puts on for the Archangels.

His eyes are wide and his expression frozen, until it fades into worry as he walks away. Azi nervously checks behind him for Crowley. Hoping he'll follow, away from danger.

Crowley hasn't spotted the Metatron yet. It's not until he starts to follow Azi, then stops for Nina, that he's at the right angle to see him. When Nina says, "You been together long?" Crowley's completely distracted. He just noticed the Metatron.

"Who?" he ridiculously asks. This made zero sense -- Azi was just here! However, on our far right, over her shoulder, we can see the Metatron, facing sideways towards our right. He and the orange-shirt man are on the far right, positioned as if talking to each other (maybe he's asking how this coffee-selection-thing works?).

Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat.

The Metatron is almost the same height as the orange-shirt man. His dark coat nearly makes him invisible as the reflections in the window break up his outline and blur the orange-shirt man. The two have stepped back from the counter, closer to us. We can see his rounded back, white collar and hair.

Short height, rounded back, long overcoat, white collar. NOT the same as the first man we saw. That's why I believe we're seeing the Metatron. That, and Aziraphale and Crowley's strange behaviors.

When you look closely at Crowley, he's staring intently into the coffee shop window as Nina asks her question. His head is not at the same angle when he returns his focus to her. It's not just the cute little neck scrunch -- he literally turned his head slightly to his right to look at her and answer her question. Crowley is concentrating on what he saw inside, and is mentally scrambling.

After Crowley says, "Who?" the camera returns to Nina. "You and your partner," she clarifies. Meanwhile, the Metatron has turned and is now standing at the end of the coffee line.

You can see three men in line, facing the counter, with the orange-shirt man in the middle. He's the colorful backdrop to frame the padded shoulders of the Metatron's dark coat.

Nina does a lot of "patter" here, a classic magician's Misdirection technique. Lots of rapid, distracting questions. They keep our own minds as occupied as they do Crowley's -- we struggle to keep up, and share our demon's outrage about Azi as "a bit on the side!"

I had to do a lot of reduced videoplay speed, constant pausing the frames, and careful photo brightening and sharpening to make these images somewhat clear. There are also frames where the reflection of vehicles and passersby’s obscure our view. The distractions come and go. It's all designed to split our focus.

So I was astonished when I discovered that, in the moment where the Metatron is standing alone, not clustered with anyone else, Nina is almost looking DIRECTLY AT THE CAMARA. It's only a moment. It's the only shot I had, of Dozens(!) of micro-moments, where the Metatron is in full view, although still difficult to see. This is how it looks in the episode.

Here's the same photo, brightened and sharpened for definition.

There is almost nothing on the right side to reflect or distract in this moment. The lighting effects allowed a much clearer view.

Nina goes back inside, and has to deal with a busy line and a new customer, a posh older gentleman in an overcoat. One who doesn't know about human coffee shops or how to place an order, and who probably consulted orange-shirt guy for coffee-selection advice. He's confused, he's asking odd questions... She doesn't have time for this...! So when he comes back the next day, she warns him not to do it again -- "Order accurately and fast..." (For more thoughts on this, see The Metatron's Second Coming)

Meanwhile, Crowley stands there bewildered as worry sets in. The Metatron is dangerous. Why is he here? This could be very bad for them both, but especially for Aziraphale. Crowley's main concern in the conversation was to SAY NOTHING that gave away their relationship. "Just... an angel... I know."

(**There's interesting implications about the Final Fifteen if Crowley is concerned that the Metatron has the ability to hear him from inside the shop. Azi often gestures as if the Metatron could hear them from outside.)

Crowley leaves in the opposite direction. I wonder if he hung around near the cafe, monitoring where the Metatron was. That's why he's morose and worried when Azi returns to the cafe (see more in my post Ineffables In Check). Crowley is also now worried that Gabriel is actually NOT memory-less. Is he there to spy on them for the Metatron? Crowley aggressively tries to find out.

He'll do Whatever It Takes to protect his Angel.

Please check out the rest of my 8-part Chess Moves Theory Set at @wistfulnightingale to see how I believe all the moments fit together in this Life or Death Chess Game. The 8 Parts support each other -- I broke a massive idea into parts, and you'd need to read all 8 before you can decide for sure if I'm wrong, or totally bonkers! It's a crazy ride, and I'll be happy to have you along for it!

The 8 Chess Moves MetaTheory Set:

1 - The Metatron Misdirection

2 - The Metatron's Second Coming

3 - Ineffables in Check

4 - A Hefty Jigger of Death

5 - Nothing Lasts Forever

6 - The Circle Kiss Theory

7 - The Nightingale DID Sing

8 - Aziraphale's Jubilant Smile (Not the crazy elevator grin)

Also: The Chess Moves Theory Set, Why Chess & Magic?

[jojojooo33]

Thinking about. egg* trans girl Al running into Claus after the main series. Claus has transitioned (I'm shoving canon in a locker) and sees Al approaching in the distance and is like, "ah fuck it's that pipsqueak alchem-- oh wait."

Al comes up to him and Claus is like, "Hey you're not Ed." And Al replies, "Oh, did we meet you on our journey?" Claus starts vaguely explaining being trans and Al is like, "I have no idea who you are but what do you MEAN you can change your body with just normal medicine? That's so cool you can do that, tell me more."

[deskatt]

It's a sickness at this point

[themoonunderstoodmydadjokes]

I don’t think we talk enough about how being love bombed can like really fuck you up??? Like yeah is it easy to identify from an outside perspective? Absolutely. But being in it and having someone devote that much time and attention to you (even if it is manipulative in nature) to then having it end abruptly when they’ve gotten what they wanted out of you… 🫠

[creationsekai]

Warning. Text. Lots of it.

Akito hears about rumours about this random girl who suddenly showed up and started sweeping all over the place and didn't think much about it. until he sees Ena singing at a live house and then he's like what the actual fuck are you doing here. He can immediately tell her heart is not in it, but she sings incredibly well despite that. He gets genuinely angry that Ena gave up art and started singing at Vivid Street. But he's also surprised, confused and maybe even jealous that she has talent for singing.

Before her singing era, Ena wandered into Vivid Street stuck with her emotions. She just gave up art. After all, she's talentless. And more than anything she wants to disappear, but giving up on life isn't an option for her. For now at least. She goes into Weekend Garage and meets Ken. Ken offers her the mic to let her emotions out, since she's obviously been crying. While singing Ena surprises herself, she good at singing. And.... people are praising her! For the reason she posts selfies, she started singing around Vivid Street. Her sudden appearance and talent surprised everyone in Vivid Street, and decides to keep singing. She doesn't have any resolve, but she doesn't realize it. She's talented and gets praise already, what would be the point of improving herself? She finds singing fun and the praise helps with her ego.

Then she comes across Akito at the live house after a gig. Ena isn't exactly surprised, after all she could hear him sing from several streets away, but she was scared to bump into him at the streets and ESPECIALLY at a live house. Akito confronts her about giving up art, and tells her that it was a terrible weak-willed decision. And so, Ena realizes she doesn't put any effort in singing. She's dissapointed in herself. She gave up art and started singing at Vivid Street? And she doesn't even have the decency to put any effort into it? What the hell? While she's emotional about art and singing, she bumps into Ken. She vents to him that she doesn't deserve art and especially singing because she doesn't even have any resolve for it. She'd probably drop it hard like she did with art the moment she thinks she's talentless and useless. She hates to admit it, but she's weak-willed just like Akito told her she is. Ken tells her there's no such as "deserving" something you love, and that she should keep going despite it. And ominously, he tells her that she will find her resolve within the people in the city. Though a bit confused, she realizes she shouldn't pay attention to the praise these people give, but instead their passion. Rude. After all.... That's what she wanted in art.

Meanwhile, Akito is overworking himself and filling his schedule to the brim with singing. Though not entirely angry anymore, he's still frustrated with Ena. He's still far from being able to surpass RAD WEEKEND, and Ena's singing showed just how much he's missing. After doing a slightly succesful live, he faints at Weekend Garage. Akito wakes up to some chocolate milk and even the An Shiraishi being worried about him. Ken reminds him to take care of his body, and especially since he just fainted. He's reluctant, since he HAS to improve, but he can't refuse his hero.... Akito and An talk, and he asks why An hasn't been singing at all for months. An reacts really weirdly, she looks sad and full of grief... But An just says Nagi isn't able to watch her surpass RAD WEEKEND anymore. Akito doesn't really wanna think about the implications.

When going home he gets challenged to a singing battle by this annoyingly rude guy he provoked in his middle school days. Without him realizing it, Ena comes across the start of their battle. Because she has been watching people sing instead of singing herself, she has gotten more passionate about singing and she's curious who'll win (and she hopes Akito beats his ass). They mention an event called RAD WEEKEND. She has heard a lot about that event while she was listening and enjoying the music of Vivid Street. Apparently it was this super exciting and unforgettable event, but she wouldn't know. Loads of people want to surpass it. Interesting dream to have, good for them I guess.

Then they start the battle. Ena is surprised at how loud Akito is, now that she's so close up to him singing. She thinks about how much heart he puts into singing compared to her. Though, Akito loses. The more skillful but annoying guy starts being, y'know, more annoying. Ena is sick of this guy making dumb and irritating insults, and then SHE challenges him to a singing battle. It was entirely on impulse, and she doesn't realize what she's done until it starts. But just like Akito she's stubborn and happy to stomp him to the ground. Ena surprised herself, as she manages to sound louder and better than usual. Though, to her surprise, she loses. She's surprised it happened, but more than anything she's dissapointed. She couldn't get more people excited than him. She wanted to beat the shit out of that guy but didn't. She doesn't put effort in, and her talent won't even cut it with the people with actual skill... In fact, her reliance on talent just makes her sound like her father! Akito tried to talk things out with her after seeing resolve from her, but Ena ran away.

Ena is the first to discover SEKAI, and she visits it. Ena tells MEIKO what happened: She's once again upset at herself for not putting effort in and relying on her talent. MEIKO tells her that she DOES put effort in, after all, she surprised herself by being better and got upset after losing the battle. Because Ena is stubborn she doesn't believe it at first, but then MEIKO suggests her to sing. Ena sings, and after she finished she's upset that she doesn't sound powerful enough and that she messed up several high notes. She wants to sing again, and MEIKO interrupts. She informs her she is proving herself wrong by wanting to sing again. Ena is still stubborn, and insists she still isn't putting nearly enough effort in like she did with art, but secretly she's happy she found her resolve. She did it through seeing the people of Vivid Street being passionate. The praise they gave her isn't just praise, and Ken didn't help just because... It was support too. Support she never got from her father. That love for music that they share with eachother, isn't something she ever got with art as well. She gets now what Ken meant.

Ena goes back to singing full-time, and the musicians say that she sounds louder than before. She isn't sure if that is supposed to be praise or not, but she takes it. If she's gonna sing after she gave up art like an idiot, she'll sing loud and shove her feelings in everyone's faces. Some passing people are whispering things like "I wonder if she'll surpass RAD WEEKEND?" Ena ignores them, though she gets more curious about this event. Maybe she should ask Ken about it.

Akito is tired of doing nothing, and he decided to go back to practicing. Akito is kinda surprised Ena lost the battle. Her talent has a limit too huh. Akito finds that he's okay with that... And that Ena sounded so resolved and determined to sing. She sounded louder than before. Far from how loud he does it, but she has build up her resolve for singing... It was just like him when he gave up on football. She's finding something new to put her life into. Though, it's hard for him to imagine Ena without art. He's still dissapointed she just gave up on art like that, but it's not all bad. Well, he's done with awkward dinners, so he'll talk with Ena. But that is a problem for future Akito. He is going to Weekend Garage....

And Ena is right there. Talking with Ken of all people. He wanted to talk to Ken, geez.... Despite that he pretends Ena doesn't mean anything to him and sits by Ken at the bar. Ena notices him, and they start a typical sibling fight. Ken drops the bombshell that he suspected they were siblings, but didn't say anything. And then he continued with answering Ena's question. What was RAD WEEKEND like? Ken explained, but he adds that Ena should hear from someone who watched instead. Well, Akito is right there! Reluctantly he explains to Ena that the event made a big impression on him, and that that night was one he will never forget. It gave him something to put his life into. Akito says that he wants to surpass RAD WEEKEND no matter what anyone tells him. Ena smiles. She remembers the time she told Akito to try singing out... And here she is singing now too. How the damn tables turn.

This exciting event Akito wants to surpass; he's putting his life into it. Ena can't just be left behind in having a life worth living. He's out there putting his life into something he loves, while Ena gave up art like a wimp and everyday she feels insignificant. She broke under the pressure of it all, and her feeling of wanting to dissappear is suffocating. Perhaps one day she'll return to art if Akito bounces back everytime, but that won't happen anytime soon. She feels terrible everyday and art makes it worse, it's suffocating. She'd rather have fun sharing passion and to just get rid of that feeling of wanting to disappear by singing on stage. This dream Akito has makes him see worth in putting his life into something.... She wonders if she'll ever find such a thing. Ena says that she's going home, and excuses herself.

Ena has gone to a live house to do a gig, and meets Akito backstage. Ena is surprised Akito is there, especially since she heard from musicians that Akito kinda dipped out. Akito tells her that he rested for a bit, but now he's practicing again. Suddenly, Akito tells her he forgives her for deciding to sing. He saw her resolve when she sang, and she was curious about RAD WEEKEND. He can't forgive her for giving up art, but he's fine with having her walking around Vivid Street. Ena is weirded out by honest Akito, and mentions that she wants cheesecake.... Then that annoying guy comes back, and he has a team? How did HE get a team to sing with? He boasts about winning against the two of them without his team, and he says they'll crush the two easily in these gigs. Ena and Akito are both still irritated by this guy, but Akito manages to nice guy his way out of giving fuel to him. So this will be a battle, huh. Slowly all the musicians get their turns to sing, and once the annoying guy team sweeps everyone else the Shinonomes realize they're up against something else. Ena just happens to be next... Akito gets an idea. They should team up. Ena is reluctant at first since why would she team up with Akito of all people.. But she realizes how good of an idea it is since teams generally get more people excited. Together they stand a chance against them. The two surprise everyone when they both walk up on the stage. They talk big. Akito says he'll surpass RAD WEEKEND, even if that means teaming up with his sister. Ena says she'll best those guys at singing, because she's infinitely better

The typical sibling rivalry they have makes them try to one-up the other. The two sound better somehow because of this desire to be the better one... Ena is trying really hard to be louder than Akito, and that way she's putting her all into it. Akito wants to be more skilled than Ena, so he sings better. They fire the other up! They manage to beat the guys, and rub it in their faces real quick.

The Shinonomes rest backstage. Ena thinks it was crazy overwhelming to get that many people excited, but she had some fun. Akito says that is why he wants to surpass RAD WEEKEND- getting that many people excited and making a night people will forever remember is his dream. Ena can't help but be intrigued, many things were already so fun in Vivid Street, but a night that beats everything else... She hates that she left art, but maybe she can put everything into surpassing RAD WEEKEND? Ena says her whims out loud, and Akito is surprised. RAD WEEKEND..? Ena explains herself, but also says she needs a team... Akito remembers that they were better tonight.. and suggest becoming a team! What?! Ena is understandably surprised, but she accepts anyway. Though, this doesn't mean she won't try to be the better singer. Akito can't agree more, he'll one-up Ena.

And then the rest of the main story plays out :3

Absolutely insane blocks of text I wrote. Trust me when I say that wasn't the intention at first. To be honest, I think a more in-character Ena would've returned to art the moment Akito got angry at her ass for giving up and being weak-willed since she's stubborn and spiteful. But like how else is she gonna start singing with Akito lmao. Maybe a lack of niigo is making her more fragile... Though I guess she will return to art in this AU in the end, she can't imagine her life without art and I can't imagine her without it either eksbejs

i think an AU where Ena and Akito become a singing team is fucking funnty

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[shokupanko]

It’s not Monday but it’s certainly Mayu Monday for me! This is my only artwork for March so I’ll see you all again in April or soon after! （⌒▽⌒ゞ

Pantyhose: I actually went back then forth trying to decide between bare legs and pantyhose but I ultimately decided pantyhose was the way to go. The pantyhose are meant to match the corset except no leather and comfort of course. It has lace details and a leather belt on her left leg. The lace stops around her ankles.

Hair: to stay within steampunk territory, I decided to make her hair fluffy, swirly, and lots of curl heart shapes. I don’t like to use one range of colors so I made the choice to go with my heart and make it extra colorful! (Although Mayu’s hair always proves to be a challenge (∩︵∩)

Makeup: I tried to make her extra girly- sorta 40s makeup vibe. So red lipstick and pink blush. I also tried to make her details more rounded to give a softer appearance :D

Shoes: it was my try of Mary Jane’s inspired shoes so please remember they are NOT accurate. She has small legs warmers over the shoes and tied off with pink bows, a short heel, and golden beads to go around the rim.

Gloves: blacks gloves with the tips of her thumb, middle, and ring fingers revealed, and well as leather and golden beads to go around and lace at the bottoms.

Dress: sheesh I’ll try to explain as well and possible… the dress comes with a color, ruffles, folds, and lots of lace for the underskirt. She has two belts below the sleeves to emphasize the ruffles. The dress also comes with a front tying corset that I took extra care to seem functional. The corset comes with lace, leather, and POCKETS! Because every girly in a dress needs pockets (she was originally gonna have a gun in her beta design shhh). The pockets are attached to the leather part of the corset in the back, and is also joined with golden beads? Buttons? Idk those things. She also has three rows of the golden beads on her skirt!

Hat: Her top hat is decorated in clocks, chains, and gears for a some steampunk effect, as well as a pink bow and pink bunny ears. Around the hat is black lace and under the hat is pink lace for some pop!